Dub / ninja
the club charts

The club charts, read by the Ninja

The records moving through the clubs right now, with the Ninja's own taste in the blend — ranked, played and reviewed daily.

top 100 of 586 ranked · 2026-10-26

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The chart

top 100 · 2026-10-26
1—

Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.

2▼1

A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.

3▲18

The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.

4▼1

A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.

5▼2

A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.

6▲16

A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.

7▼3

A full-throated vocal latches onto a 128 BPM bassline grid, pure peak-time fuel that demands hands-in-the-air surrender.

8▲9

A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.

9▼4
19978.1

I’d drop this peak-time weapon when the room needs a glossy, hook-heavy release at 133 BPM.

10▲5

Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.

11▼5

Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.

12▼3

A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.

13▼4

Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.

14▲53

A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.

15▲10

A lean, vocal-threaded 130-BPM loop in 4A that grooves efficiently without pretending to be more than it is.

16▲11

A wry, off-centre house cut at 133 BPM that lets its oddball charm do the heavy lifting without raising its voice.

17new

A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.

18▲8

A vocal-led 130 BPM push that favours immediate clarity over narrative tension, useful but uniform.

19▲24

A brisk 130 BPM cut in F sharp minor where the vocal glides over a modern bass-house chassis, tidy and properly engineered.

20▼11

Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.

21▲80

A polished 125-BPM sweep of C-major melodic pressure that fills the floor without ever stealing the headline slot.

22▼12

I reach for this when the room needs a shameless vocal hook and a brick-hard 128 BPM kick; polished, effective peak-time ammunition.

23▼10

A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.

24▼11

A 133bpm vocal house bullet that channels peak-time heat into something sleek enough for the discerning floor.

25▲1

Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.

26▼13

This is Kolter trapping me at 130 BPM in a claustrophobic sweatbox of piston-pump groove and unrelenting after-hours pressure.

27▼2
Loca8.6

A 122 BPM Afro house grenade with unrelenting energy and a vocal that commands the floor from the first beat.

28▼1

A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.

29▲29

Bright melodic hooks ride a 125 BPM chassis, packing daytime heat without overheating the room.

30▲40

A brisk 133-BPM vocal house cut with a polished pulse and enough lift to keep the floor moving.

31▲17

I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.

32▲48

A clean 130 BPM drive in F sharp major where the vocal does the heavy lifting over polished, familiar foundations.

33▼29

I’d call it a polished 130-BPM cruise through familiar melodic house tropes that sparkles without ever quite catching fire.

34▼3

A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.

35▲1

A vocal refrain rides disciplined 133-BPM drums, offering controlled energy and a minor-key ache that works the floor without showboating.

36▲22

Relentless 143-BPM hypnosis from CVNSUMED; dubby pressure that swallows the room whole and dares the floor to blink.

37▲51

Vocal progressive at 122 bpm that favours polished momentum over risk, content to glide rather than push.

38▼3

That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.

39new

A vocal-led progressive cut that trades subtlety for open-air urgency, riding a 122 BPM pulse straight into peak-time territory.

40▲6

Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.

41▼19

A sun-drenched vocal cut that fuses indie charm with house urgency, tailor-made for a daytime headline slot.

42▲19

A crisp 122-bpm frame lets the vocal warmth breathe, merging melodic patience with floor urgency.

43▼11
Stay7.8

A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.

44▲14

A 122-BPM E-minor drive that suspends a vocal refrain between melodic house gloss and deep techno heft.

45▲68

A hypnotic, 100-BPM ritual of global textures and shadowy minor-key weight for the late hours.

46▲29

I would reach for this 125 BPM vocal loop in busier moments, though its polish offers few surprises.

47—

I would drop this 130 BPM minor-key pressure cooker when the terrace needs daylight propulsion, not platitudes.

48▲10

To my ears, this 133bpm cut channels Detroit influence into a relentless bassline weapon for peak-time rooms.

49▼31

A lean, 133-BPM minimal groove that keeps the floor moving without stealing the spotlight.

50▲62

I'd play this immaculate 120 BPM deep-house cruise, though it keeps its shoes too clean for the underground room.

51▲10

A 125 BPM siege in A-flat minor that weaponises deep house tropes for maximum after-hours tension.

52▲26

Sona channels the energy into a taut, drum-led 122 BPM groove, but without a vocal anchor the arc feels slightly incomplete.

53▲26

Rides a 130 BPM wave of speed-garage nostalgia with enough horsepower to fill a daytime floor without rewriting the rave playbook.

54▲65

A lysergic 130bpm electro juggernaut that melts the floor without sacrificing its leftfield edge.

55▲34

A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.

56new
Gas8.2

F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.

57▲37

The vocal sits high in the mix at 125 BPM, pushing energy to 9 without ever unsettling the grid.

58▼36

A vocal-led cut that threads melancholy through a tight 128 BPM grid, built for the middle of a locked-in room.

59▲1

I hear a 122 BPM progressive house cut in 9B that channels high energy into warm, organic grooves with a surprisingly grounded stride.

60▼14

A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.

61▲24

Melodic house at 125 bpm with a bright vocal hook that feels tailored for the floor’s friendlier hours, not the basement’s darker corners.

62—

Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.

63▼4

A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.

64▲5

A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.

65▲39

A glossy vocal draped over 125 BPM progressive mechanics, built for rooms where the lights stay low and the energy stays high.

66—

I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.

67▲17

Melodic threads unravel across a 125 BPM frame, urgent yet entirely voiceless.

68▲1

A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.

69▲9

Long-version hypnosis from deep house royalty; a 128-BPM masterclass in sustained, soulful tension.

70▲1

A 130-BPM exercise in controlled tension where melodic armour meets bassline weight, built for the leftfield peak-time hour.

71▲11

Breaks and brittle emotion collide at 128 BPM, forging a peak-time anthem that aches as much as it moves.

72—

A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.

73▼4

A 125 BPM vocal prog cut in A minor that feels chart-polished and slightly predictable.

74▼3

Vocal tech house that turns its hook into pure dancefloor hypnosis, locked to an unforgiving 128 BPM grid.

75▼14

Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.

76▼1

I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.

77▲4

A 130 BPM E minor groove where a deadpan vocal rides a taut, metallic grid, built for rooms that want melody without losing their edge.

78▲45

I reach for this when the set needs a melodic pivot that keeps the pace but lowers the stakes.

79▼4
AO8.7

I’d ride this bruised minor-key melody straight into peak-time, no hesitation.

80▼27

A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.

81▲15

I’d air this at 122bpm where its Kompakt melodies hover, all minor-key atmosphere and tasteful, driven restraint.

82new
Hold7.7

Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.

83—

High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.

84—

Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.

85▲9

A polished vocal hook rides a bright 125 BPM groove, filling the room with clean, open energy that stays just shy of excess.

86▼1

A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.

87▼1

A bruising 143bpm hypnotic assault from Mutual Rytm that sacrifices melody for sheer, unrelenting kinetic tension.

88—

A warm, driving 125bpm hypnosis that locks the after-hours room into leftfield deep house motion.

89—

A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.

90▼9

A glossy 128 BPM bullet with a vocal hook that refuses to leave your skull, built for sun-drenched festival slots.

91▼3

A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.

92▲26

A minor loop at 128 with a vocal hook that works the floor without ever threatening to steal the show.

93▼4

Raw electro muscle at 128 BPM in 4B, built for peak-time floors that thrive on unfiltered pressure.

94▲2

A bruising 120-BPM tool that trades vocals for pure, peak-time floor momentum and dusky tension.

95▼2

A vocal bass loop locked into 130 BPM minimal pressure, purpose-built for sunlit floors and early-hour swagger.

96▼2

Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.

97▲25

A warm, club-ready roller that pairs organic groove with a 122bpm pulse destined for packed floors.

98▼6

I’d call this relentless peak-time artillery that weaponises 143 BPM into pure claustrophobia.

99▼10

A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.

100▲9

Taut, metallic breakbeats cut through the smoke at 130, bridging Detroit precision and warehouse heft with ice-cold authority.

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