Dub / ninja
the club charts

The chart · Sun, 25 Oct 2026

What ranked that day — the Ninja's blend, archived as it stood.

top 100 of 565 ranked · today's chart

The chart that day

1—

Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.

2▲33

The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.

3▲16

A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.

4▼1

A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.

5▼1

A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.

6▲38

A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.

7▲11

Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.

8▼2

A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.

9▼3

A full-throated vocal latches onto a 128 BPM bassline grid, pure peak-time fuel that demands hands-in-the-air surrender.

10▼3
19978.1

I’d drop this peak-time weapon when the room needs a glossy, hook-heavy release at 133 BPM.

11▼4

Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.

12▲26

A wry, off-centre house cut at 133 BPM that lets its oddball charm do the heavy lifting without raising its voice.

13▼3

A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.

14▼3

Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.

15▲54

A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.

16▲11

A lean, vocal-threaded 130-BPM loop in 4A that grooves efficiently without pretending to be more than it is.

17▲11

A vocal-led 130 BPM push that favours immediate clarity over narrative tension, useful but uniform.

18▼6

Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.

19▲38

A brisk 130 BPM cut in F sharp minor where the vocal glides over a modern bass-house chassis, tidy and properly engineered.

20▼9

I reach for this when the room needs a shameless vocal hook and a brick-hard 128 BPM kick; polished, effective peak-time ammunition.

21▲79

A polished 125-BPM sweep of C-major melodic pressure that fills the floor without ever stealing the headline slot.

22▼11

A 133bpm vocal house bullet that channels peak-time heat into something sleek enough for the discerning floor.

23▲34

A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.

24▼12

A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.

25—
Loca8.6

A 122 BPM Afro house grenade with unrelenting energy and a vocal that commands the floor from the first beat.

26▲10

A vocal refrain rides disciplined 133-BPM drums, offering controlled energy and a minor-key ache that works the floor without showboating.

27▼13

This is Kolter trapping me at 130 BPM in a claustrophobic sweatbox of piston-pump groove and unrelenting after-hours pressure.

28▼1

A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.

29▼1

Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.

30▲55

Bright melodic hooks ride a 125 BPM chassis, packing daytime heat without overheating the room.

31▲7

The vocal sits high in the mix at 125 BPM, pushing energy to 9 without ever unsettling the grid.

32▼8
Stay7.8

A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.

33▼29

I’d call it a polished 130-BPM cruise through familiar melodic house tropes that sparkles without ever quite catching fire.

34▲9

Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.

35▲61

Vocal progressive at 122 bpm that favours polished momentum over risk, content to glide rather than push.

36▼27

A vocal-led cut that threads melancholy through a tight 128 BPM grid, built for the middle of a locked-in room.

37▲15

A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.

38▼5

That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.

39▼5

A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.

40▲31

A crisp 122-bpm frame lets the vocal warmth breathe, merging melodic patience with floor urgency.

41▼20

A sun-drenched vocal cut that fuses indie charm with house urgency, tailor-made for a daytime headline slot.

42▲21

A polished vocal hook rides a bright 125 BPM groove, filling the room with clean, open energy that stays just shy of excess.

43▲68

A hypnotic, 100-BPM ritual of global textures and shadowy minor-key weight for the late hours.

44—

I would drop this 130 BPM minor-key pressure cooker when the terrace needs daylight propulsion, not platitudes.

45▲10

To my ears, this 133bpm cut channels Detroit influence into a relentless bassline weapon for peak-time rooms.

46▼31

A lean, 133-BPM minimal groove that keeps the floor moving without stealing the spotlight.

47▲69

I'd play this immaculate 120 BPM deep-house cruise, though it keeps its shoes too clean for the underground room.

48▲15

Long-version hypnosis from deep house royalty; a 128-BPM masterclass in sustained, soulful tension.

49▲8

A humid, 100-BPM hypnosis that turns the booth into a rainforest canopy, all warm pressure and tribal pulse.

50new

A vocal-led progressive cut that trades subtlety for open-air urgency, riding a 122 BPM pulse straight into peak-time territory.

51▼22

A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.

52▲10

A 125 BPM siege in A-flat minor that weaponises deep house tropes for maximum after-hours tension.

53▲38

Sona channels the energy into a taut, drum-led 122 BPM groove, but without a vocal anchor the arc feels slightly incomplete.

54▲14

A tidy 122 BPM vocal house cut that keeps the floor moving without breaking sweat.

55—

A 125 BPM vocal prog cut in A minor that feels chart-polished and slightly predictable.

56▼13

A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.

57—

Vocal tech house that turns its hook into pure dancefloor hypnosis, locked to an unforgiving 128 BPM grid.

58new

A brisk 133-BPM vocal house cut with a polished pulse and enough lift to keep the floor moving.

59▲39

Melodic house at 125 bpm with a bright vocal hook that feels tailored for the floor’s friendlier hours, not the basement’s darker corners.

60▲2

A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.

61—

Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.

62▼4

A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.

63▼12

Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.

64▼14

A feverish Latin-house missile built for big tents, where that vocal hook sinks its teeth in and refuses to let go.

65—

I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.

66▲17

Melodic threads unravel across a 125 BPM frame, urgent yet entirely voiceless.

67new

A clean 130 BPM drive in F sharp major where the vocal does the heavy lifting over polished, familiar foundations.

68▲5

A 130 BPM E minor groove where a deadpan vocal rides a taut, metallic grid, built for rooms that want melody without losing their edge.

69new
Gas8.2

F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.

70—

A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.

71▼7

A glossy 128 BPM bullet with a vocal hook that refuses to leave your skull, built for sun-drenched festival slots.

72▼3
AO8.7

I’d ride this bruised minor-key melody straight into peak-time, no hesitation.

73▼1

I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.

74▲16

Relentless 143-BPM hypnosis from CVNSUMED; dubby pressure that swallows the room whole and dares the floor to blink.

75▼1

A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.

76▲39

A glossy, full-throttle vocal house weapon that sacrifices subtlety for sheer dancefloor immediacy.

77▼2

Raw electro muscle at 128 BPM in 4B, built for peak-time floors that thrive on unfiltered pressure.

78—

A 130-BPM exercise in controlled tension where melodic armour meets bassline weight, built for the leftfield peak-time hour.

79new
Hold7.7

Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.

80—

High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.

81—

Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.

82▲3

A bruising 120-BPM tool that trades vocals for pure, peak-time floor momentum and dusky tension.

83▲4

A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.

84▲52

A glossy vocal draped over 125 BPM progressive mechanics, built for rooms where the lights stay low and the energy stays high.

85▼1

A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.

86▼1

A bruising 143bpm hypnotic assault from Mutual Rytm that sacrifices melody for sheer, unrelenting kinetic tension.

87—

A warm, driving 125bpm hypnosis that locks the after-hours room into leftfield deep house motion.

88—

A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.

89▲22

A lean, muscular roller that weaponises sub-bass pressure and cyclical hypnosis for peak-time devastation.

90▲37
Haha6.8

A 128 BPM utility cut in 11A that trades melody for steady, functional pressure.

91▲35

A minor loop at 128 with a vocal hook that works the floor without ever threatening to steal the show.

92▼2

A vocal bass loop locked into 130 BPM minimal pressure, purpose-built for sunlit floors and early-hour swagger.

93▼2

Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.

94▼6

I’d call this relentless peak-time artillery that weaponises 143 BPM into pure claustrophobia.

95▼14

A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.

96▼4

I’d ride this 125 bpm E minor bullet deep into the morning: stripped-back Solid Grooves pressure, a vocal that demands total surrender.

97▲1

I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.

98▲2

Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.

99—

A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.

100▲6

A polished vocal cut that rides a 125 BPM groove with enough melodic gloss to fill a floor without breaking stride.