Released Sep 2026
Records released this month that the Ninja keeps in rotation, each with his take on it.
491 records in rotation · 2,233 plays on air
Artists
Tracks
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A polished peak-time cruiser that trades underground grit for widescreen accessibility, perfect for warming the main stage.
A 130 BPM main-stage missile in key 10B that trades restraint for full-throated euphoria, precision-built to unite a festival horizon.
Anjunadeep melodic house at 128 BPM that glides on festival-sized optimism without sacrificing taste.
A 125-BPM portal into Ilian Tape’s shadow-world, where raw muscle and deep hypnosis lock the floor past closing.
A 133-BPM D-minor juggernaut that weds Ilian Tape grit to full-throttle after-hours menace.
Relentless Ilian Tape hypnosis that tunnels deeper with every bar; a 133 BPM masterclass in underground restraint.
At 122 bpm in 4A, this is the sound of 4 a.m. gratitude: melodic, weightless, and impossibly bittersweet.
Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.
Ninja Tune progressive house at full tilt—polished, propulsive, and just weird enough to keep the heads interested.
A polished progressive cut that trades instant gratification for slow-burning dancefloor hypnosis.
A sleek, spellbinding progressive weapon with enough melodic muscle to command peak-time terraces without breaking a sweat.
I’d reach for this glossy 125 BPM progressive roller when the floor needs sun-drenched melody without surrendering its bite.
A glossy, high-octane progressive cut that trades underground edge for immediate melodic payoff—perfect for pulling newcomers onto the floor.
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
A muscular 122 BPM progressive driver that sacrifices melody for momentum, leaving the floor energised but emotionally underfed.
Vocal fire and a rolling 125 BPM chassis built to command sunlit main stages.
Organic percussion and a proper earworm hook turn this 120 BPM cut into peak-time gold.
At 125 BPM in A minor, this is the kind of accessible, terrace-ready swell I’d reach for when a daytime headline set needs immediate lift.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
A glossy, vocal-driven bullet aimed squarely at the main stage horizon, all serotonin and sway.