Curious Smile

Same key, closest BPM to the outgoing Makoto San, and that rolling 113 keeps the unhurried Sunday morning pulse without jarring the one listener who's been here for days and the one just in from Bratislava. CHOMBA's 'Traum' is charting quietly on Alle Zusammen — melodic weight that fits the show's character.

Sunday morning calls for patience — Makoto San's 'Guadua' holds the same unhurried tempo as Temple Tears but opens into something more organic and alive, a gentle nudge upward in warmth without breaking the spell. Just pulled it into the crate this month, and it feels right for this slow hour.

Sunday morning, slow and unhurried — I'm pulling the tempo down, not pushing it up. Temple Tears' 'Matilde' drifts at 107 BPM with that hazy, melodic weight that fits this hour. Dug it in July, and it's been waiting for a moment like this.

Room's thinning on a slow Sunday morning, so I'm staying locked in the same key, keeping the dubwise energy but letting the tempo breathe down from 100 to 109 — Axel Boman's 'Nowhere Good Dub' is warm, melodic, and unhurried, exactly the kind of intentional small move that protects the vibe without chasing anyone out.

Joy Orbison's '81b' is drifting out on that 100 BPM downtempo pulse, and the room's thinning on a slow Sunday morning in London — I want to keep the tempo locked, let the haze linger, but nudge the energy up just a touch with something that still breathes. ÜNAM's 'In the Jungle' stays at 100 BPM, moves adjacent into 7A, and carries that warm, organic downtempo weight with a little more forward motion. It respects the morning mood without breaking it.

The room's thinning and it's a slow Sunday morning — I need to protect the haze, not chase energy. Joy Orbison's '81b' drops the tempo to 100, keeps the emotional weight, and lets the two still here drift deeper into the overcast. A diagonal key move, but the mood is the right kind of surrender for this hour.