Released May 2026

A remastered dub techno hypnosis that weaponises 125 BPM space into something almost claustrophobic yet utterly compelling.

Raw deep techno at 125 BPM that locks the room into a hypnotic, unbroken D-minor trance.

A 125-BPM D minor hypnotiser that trades fireworks for relentless, after-hours rolling momentum.

Raw dub pressure at 125 BPM, carving out a cavernous, hypnotic late-night void.

Dubby, psychedelic house that coils around 120 BPM with hypnotic intent; a late-night weapon for locked-in floors.

Narcotic downtempo that seeps into the corners of the room, too restless for ambient yet too fragile for the dancefloor.

Warp synths drift through a 118-bpm haze, building a room too vast for the after-hours to ever properly end.

A 125 BPM hypnosis that coils around the floor, all muscle and pulse without losing that organic warmth.

A languid 120-BPM spell of organic warmth and hypnotic melody that locks the floor after midnight.

A heavy, star-gazing cut from Correspondant that swaps the dancefloor for a 109 BPM after-hours headspace.

Sun-bleached percussion locks into a humid 118 BPM stride, channelling restless energy through smoky minor-key textures.

Warm, rolling progressive house that keeps the deeper floor moving without ever threatening to spill its drink.

FJAAK sandblast the CLR blueprint into a 136 BPM juggernaut that trades subtlety for pure, unrelenting peak-time pressure.

A warm, club-ready roller that pairs organic groove with a 122bpm pulse destined for packed floors.

Tribal drums and feverish sound design turn this leftfield cut into a humid, locked-in dancefloor ritual.

Afro-leaning percussion and organic warmth converge at 120 BPM, delivering deep, tasteful pressure without a single commercial cliché in sight.

A lean, 130 BPM breaks cut that bridges peak-time slots without stealing the spotlight, all sinew and sharp edges.

I’d slot this sleek, melodic after-hours weapon straight into a 122 BPM groove where understatement does the heavy lifting.

I'd reach for this when the room needs 125 BPM of elegant, pressurised darkness and absolutely nowhere to hide.

Relentless breakbeat pressure at 133 BPM with a club-credible groove that demands a dark room and a heavy system.

A 107 BPM slow-burn with teeth; this is after-hours music for dancers who refuse to go home.

I'd reach for this Intercept cut when the floor needs 128-BPM melodic tension steeped in late-night atmosphere.

At 120 BPM, progressive house meets after-hours restraint in a poised, leftfield pivot.

At 109 BPM, this is downtempo engineered for impact: minor-key murk, heavyweight low-end, and energy dialled to nine.