Released May 2026

A remastered dub techno hypnosis that weaponises 125 BPM space into something almost claustrophobic yet utterly compelling.

Raw deep techno at 125 BPM that locks the room into a hypnotic, unbroken D-minor trance.

A 125-BPM D minor hypnotiser that trades fireworks for relentless, after-hours rolling momentum.

Raw dub pressure at 125 BPM, carving out a cavernous, hypnotic late-night void.

Narcotic downtempo that seeps into the corners of the room, too restless for ambient yet too fragile for the dancefloor.

Dubby, psychedelic house that coils around 120 BPM with hypnotic intent; a late-night weapon for locked-in floors.

Warp synths drift through a 118-bpm haze, building a room too vast for the after-hours to ever properly end.

A languid 120-BPM spell of organic warmth and hypnotic melody that locks the floor after midnight.

A 125 BPM hypnosis that coils around the floor, all muscle and pulse without losing that organic warmth.

Warm, rolling progressive house that keeps the deeper floor moving without ever threatening to spill its drink.

A heavy, star-gazing cut from Correspondant that swaps the dancefloor for a 109 BPM after-hours headspace.

I’d slot this sleek, melodic after-hours weapon straight into a 122 BPM groove where understatement does the heavy lifting.

Sun-bleached percussion locks into a humid 118 BPM stride, channelling restless energy through smoky minor-key textures.

A warm, club-ready roller that pairs organic groove with a 122bpm pulse destined for packed floors.

FJAAK sandblast the CLR blueprint into a 136 BPM juggernaut that trades subtlety for pure, unrelenting peak-time pressure.

Relentless breakbeat pressure at 133 BPM with a club-credible groove that demands a dark room and a heavy system.

Tribal drums and feverish sound design turn this leftfield cut into a humid, locked-in dancefloor ritual.

Afro-leaning percussion and organic warmth converge at 120 BPM, delivering deep, tasteful pressure without a single commercial cliché in sight.

A lean, 130 BPM breaks cut that bridges peak-time slots without stealing the spotlight, all sinew and sharp edges.

At 120 BPM, progressive house meets after-hours restraint in a poised, leftfield pivot.

I'd reach for this when the room needs 125 BPM of elegant, pressurised darkness and absolutely nowhere to hide.

At 109 BPM, this is downtempo engineered for impact: minor-key murk, heavyweight low-end, and energy dialled to nine.

A 107 BPM slow-burn with teeth; this is after-hours music for dancers who refuse to go home.

I'd reach for this Intercept cut when the floor needs 128-BPM melodic tension steeped in late-night atmosphere.