The chart · Sat, 24 Oct 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 567 ranked · today's chart
The charts are saturated with house music, from Prospa and Kettama at number three to ANOTR at twelve, yet Ryan Resso's techno peak proves the floor still craves harder kicks. The story is mainstream heavyweights like Snoop Dogg and Skepta invading the electronic top twenty, but I reckon the crowd has it wrong: Mau P's bassline bruiser at number eight deserves to be higher than the polite house filler clogging the mid-table.
The chart that day
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
Warm, tasteful prog at 122 BPM that drifts across the floor but never quite finds a hook.
A lean, vocal-threaded 130-BPM loop in 4A that grooves efficiently without pretending to be more than it is.
A vocal refrain rides disciplined 133-BPM drums, offering controlled energy and a minor-key ache that works the floor without showboating.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
The vocal sits high in the mix at 125 BPM, pushing energy to 9 without ever unsettling the grid.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
A brisk 130 BPM cut in F sharp minor where the vocal glides over a modern bass-house chassis, tidy and properly engineered.
A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
A tidy 122 BPM vocal house cut that keeps the floor moving without breaking sweat.
A humid, 100-BPM hypnosis that turns the booth into a rainforest canopy, all warm pressure and tribal pulse.
A polished vocal hook rides a bright 125 BPM groove, filling the room with clean, open energy that stays just shy of excess.
I’d call it a polished 130-BPM cruise through familiar melodic house tropes that sparkles without ever quite catching fire.
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
A polished vocal cut that rides a 125 BPM groove with enough melodic gloss to fill a floor without breaking stride.
Long-version hypnosis from deep house royalty; a 128-BPM masterclass in sustained, soulful tension.
At 133 BPM in 9B, it channels ten-out-of-ten voltage into a functional, if familiar, groove that fills floor space without claiming it.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
A 125 BPM siege in A-flat minor that weaponises deep house tropes for maximum after-hours tension.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
A vocal-led progressive cut that trades subtlety for open-air urgency, riding a 122 BPM pulse straight into peak-time territory.
A 125 BPM vocal prog cut in A minor that feels chart-polished and slightly predictable.
A polished 125-BPM sweep of C-major melodic pressure that fills the floor without ever stealing the headline slot.
Sona channels the energy into a taut, drum-led 122 BPM groove, but without a vocal anchor the arc feels slightly incomplete.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
A lean, mainstage torque-machine built to bridge vocal peaks without dropping pressure.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
Bright melodic hooks ride a 125 BPM chassis, packing daytime heat without overheating the room.
Melodic threads unravel across a 125 BPM frame, urgent yet entirely voiceless.
Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.
Amotik funnels Berghain pedigree into a 136-BPM gravity well of locked, late-night hypnosis.
A feverish Latin-house missile built for big tents, where that vocal hook sinks its teeth in and refuses to let go.
A lean, 133-BPM minimal groove that keeps the floor moving without stealing the spotlight.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
A 125 BPM push in F minor that trades subtlety for open-air sweep, mapping the horizon in broad melodic strokes.
Peak-time energy meets Balearic melancholy at 125 BPM, built for open-air floors where everything fades but the groove.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
Vocal progressive at 122 bpm that favours polished momentum over risk, content to glide rather than push.
A glossy, full-throttle vocal house weapon that sacrifices subtlety for sheer dancefloor immediacy.
Warm, melodic deep house that unfolds like smoke at 118 BPM, built for the hush before dawn.
A slow-burning, high-tension showdown that proves downtempo can snarl with the intensity of peak-time techno.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
A bruising 120-BPM tool that trades vocals for pure, peak-time floor momentum and dusky tension.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
A vocal bass loop locked into 130 BPM minimal pressure, purpose-built for sunlit floors and early-hour swagger.
A warm, driving 125bpm hypnosis that locks the after-hours room into leftfield deep house motion.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
I’d call this a polished, stadium-sized melodic techno weapon that trades risk for immediate, hands-in-the-air gratification.
A lean, muscular roller that weaponises sub-bass pressure and cyclical hypnosis for peak-time devastation.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
Those bells still cut through 4 AM haze with surgical precision, even if every hand in the room already knows the score.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
A crisp 122-bpm frame lets the vocal warmth breathe, merging melodic patience with floor urgency.