The chart · Fri, 23 Oct 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 566 ranked · today's chart
The charts are locked in a four-four stranglehold, with house and its variants swallowing fourteen of the top twenty spots. The story is the blockbuster summit of Solomun, Skepta and Dom Dolla at number three, though it feels like a polished committee piece amid the underground. I reckon the crowd has it wrong: Franky Rizardo’s taut techno cut “Marido Dansa” deserves to be higher than fourth, while the bassline entries from Mau P and Kyle Watson bring the only real danger.
The chart that day
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A humid, 100-BPM hypnosis that turns the booth into a rainforest canopy, all warm pressure and tribal pulse.
A vocal refrain rides disciplined 133-BPM drums, offering controlled energy and a minor-key ache that works the floor without showboating.
A vocal bass loop locked into 130 BPM minimal pressure, purpose-built for sunlit floors and early-hour swagger.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A lean, vocal-threaded 130-BPM loop in 4A that grooves efficiently without pretending to be more than it is.
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
A 125 BPM siege in A-flat minor that weaponises deep house tropes for maximum after-hours tension.
Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.
A brisk 130 BPM cut in F sharp minor where the vocal glides over a modern bass-house chassis, tidy and properly engineered.
I’d call it a polished 130-BPM cruise through familiar melodic house tropes that sparkles without ever quite catching fire.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A sugar-rush vocal rides a 140 BPM trance chassis, built to convert the curious into committed floor disciples.
Warm, tasteful prog at 122 BPM that drifts across the floor but never quite finds a hook.
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
A 125 BPM push in F minor that trades subtlety for open-air sweep, mapping the horizon in broad melodic strokes.
A polished vocal cut that rides a 125 BPM groove with enough melodic gloss to fill a floor without breaking stride.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
Electro soul machined to absolute peak voltage; a 130-BPM masterclass that still turns every room into a pressure chamber.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.
Relentless 133-bpm pressure in 4B that turns a daytime floor into a full-blown furnace.
A 125 BPM vocal prog cut in A minor that feels chart-polished and slightly predictable.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
Festival-weight tech house at 130 BPM that commands the floor without pretending to reinvent the wheel.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
Bright melodic hooks ride a 125 BPM chassis, packing daytime heat without overheating the room.
Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.
Sun-drenched vocal house that favours songcraft over shock value, built for open-air afternoons when the crowd wants melody before mayhem.
A feverish Latin-house missile built for big tents, where that vocal hook sinks its teeth in and refuses to let go.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
Peak-time energy meets Balearic melancholy at 125 BPM, built for open-air floors where everything fades but the groove.
A sprightly 128 BPM chirp of tech trance that lets the vocal hook do the heavy lifting without overcooking the room.
A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.
A lean, mainstage torque-machine built to bridge vocal peaks without dropping pressure.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
Slotted at 6B and 133bpm, this nine-out-of-ten energy vocal roller weaponises accessibility into pure peak-time pressure.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
A glossy, full-throttle vocal house weapon that sacrifices subtlety for sheer dancefloor immediacy.
A bruising, hypnotic 143-BPM weapon that turns the after-hours room into a pressure cooker of pure physicality.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
Vocal progressive at 122 bpm that favours polished momentum over risk, content to glide rather than push.
A high-voltage, organic deep-house spell that burns slow and heavy at one-thirteen, built for the basement’s darkest hours.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
A warm, driving 125bpm hypnosis that locks the after-hours room into leftfield deep house motion.
Gleaming 122-BPM progressive house in 6A at energy ten, but the instrumental chassis is too polished to leave a mark.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
I let this relentless 133bpm Up The Stuss hypnosis grip the floor in late-night lock.
A lean, muscular roller that weaponises sub-bass pressure and cyclical hypnosis for peak-time devastation.
A bruising 120-BPM tool that trades vocals for pure, peak-time floor momentum and dusky tension.
Warm melodic prog that rides a 122-BPM pulse straight into the emotive end of the night.
At 122 bpm in 4A, this is the sound of 4 a.m. gratitude: melodic, weightless, and impossibly bittersweet.
Amotik funnels Berghain pedigree into a 136-BPM gravity well of locked, late-night hypnosis.
Those bells still cut through 4 AM haze with surgical precision, even if every hand in the room already knows the score.
A tidy 122 BPM vocal house cut that keeps the floor moving without breaking sweat.
A lean, 133-BPM minimal groove that keeps the floor moving without stealing the spotlight.
A crisp 122-bpm frame lets the vocal warmth breathe, merging melodic patience with floor urgency.
A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.