The chart · Tue, 22 Sep 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 594 ranked · today's chart
The charts are locked in a four-four stranglehold, with house swallowing nineteen of twenty slots and only splinters of techno and bassline breaking the grid. Rooléh is the story, scoring two placements inside the top twenty while heavy hitters scrap below. The crowd is right to keep Âme and RY X's sweeping Ivory remix at the summit, but Mau P's bassline bruiser at three deserves to climb higher than the polite deep-house filler clogging the mid-table.
The chart that day
Ivory turns RY X’s vocal into a 125 BPM mantra, balancing Innervisions elegance with peak-time muscle.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A major-label vocal thumper that trades subtlety for sheer dancefloor utility; the hook lands, but expect déjà vu.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
A polished 133bpm crossover cut that trades underground grit for daytime gloss, but the vocal hooks still land with precision.
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
Festival-weight tech house at 130 BPM that commands the floor without pretending to reinvent the wheel.
Accessible tech trance with a funked-up backbone, built for daytime primetime and mainstage momentum.
A propulsive 133-BPM speed-garage weapon that sacrifices subtlety for sheer, unrelenting dancefloor velocity.
A glossy, high-voltage house cut that turns its indie-dance hook into pure midday terrace fuel.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
A sleek, high-pressure rework that turns the floor into a piston chamber at one-twenty-five.
A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.
I'd drop this 130 BPM main-stage missile when the tent needs hands-in-the-air abandon, though its 11A chassis feels factory-fresh rather than future-shocked.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
Vocal hooks and a merciless 130 BPM throb turn the room into a single, breathless sing-along.
A polished 128 BPM main-stage cruiser that trades underground grit for festival-ready gloss, delivering exactly the hands-in-the-air euphoria the room expects.
Rides a 130 BPM wave of speed-garage nostalgia with enough horsepower to fill a daytime floor without rewriting the rave playbook.
Organic, hypnotic tension at 118 BPM that feels like breathing machinery in a dark room.
A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.
Electro soul machined to absolute peak voltage; a 130-BPM masterclass that still turns every room into a pressure chamber.
A 128-BPM freight train of hooky house momentum that knows exactly which buttons to press and when.
I’d call this a polished, stadium-sized melodic techno weapon that trades risk for immediate, hands-in-the-air gratification.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A chunky, rolling 128-bpm house cut built for peak-time floors and effortless crowd connection.
A polished vocal loop rides a tight 128 BPM grid, built for daytime floors that want energy without peak-time chaos.
Stadium-sized progressive warmth at 120 BPM, stitching minor-key longing to a high-energy groove made for sunlit floors.
I’d call this a ruthlessly efficient 133 BPM crossover weapon that bridges tech-trance precision and mainstage hookiness without losing floor bite.
Accessible organic prog at 122 BPM; a melodic, high-energy bridge for daytime sets.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.
A sleek 128-BPM roller that weaponises its vocal tease into daylight-ready ammunition for a packed floor.
I hear a warm, worldly 111-BPM drift that hooks early and unspools across the floor like heavy afternoon light.
A full-throttle vocal house cut that weaponises its 128 BPM framework into peak-time euphoria without losing its soulful centre.
This 130 BPM juggernaut funnels a classic vocal hook into peak-time pressure—big, accessible, and absolutely unrelenting.
A sleek, vocal-driven prog-house cruiser built for peak-time euphoria without sacrificing credibility.
A vocal bass loop locked into 130 BPM minimal pressure, purpose-built for sunlit floors and early-hour swagger.
An afro-tropical missile with a vocal hook sharp enough to cut through any peak-time mix.
A 128 BPM juggernaut in A-flat minor that commands the floor with unrelenting electro-house pressure and daytime-set swagger.
A bullish 128-bpm bass mutation built for sun-drenched terraces and reckless midday abandon.
I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
COEO squeezes every drop of juice from this disco-house framework, delivering a 128 BPM pressure cooker built for peak-time sweat.
A sleek 125-BPM melodic roller that drapes daytime floors in dubby, progressive warmth without breaking a sweat.
Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A 125 BPM main-stage missile that weaponises 5B tension into pure peak-time release.
A narcotic half-speed exhale that turns the floor into a shoulder-rolling haze, too slow to peak but perfect for golden-hour comedowns.
A reliable 133bpm bridge with enough rolling weight to keep daytime floors moving without stealing the spotlight.
A sun-drenched vocal cut where Tim Green balances melodic warmth against a 125 BPM backbone built for daytime floors.
Sun-drenched Defected mechanics built for the main-stage lawn, all polished 130 BPM momentum and hands-in-the-air composure.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
Peak-time dub pressure soaked in amber warmth; a hypnotic 128 BPM cruiser that blurs sunset into sweat.
I’d drop this lean 122 bpm bridge between bigger records; it keeps the energy high without stealing focus.
I hear taut Afro-tinged percussion at 125 BPM riding an energy of 9 into solid peak-time utility, though transcendence stays just out of reach.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
I’d call this razor-wire electro-grime at 140 BPM a server room melting down in Bb minor—absolute peak-time warfare.
Those bells still cut through 4 AM haze with surgical precision, even if every hand in the room already knows the score.
Steve Bug refines Monolink’s melodics into a rolling 115bpm late-night weapon with serious low-end pull.
A lean 130 BPM deep-tech weapon that channels maximal energy through a stripped-back, late-night frame.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
Relentless 122 BPM D-minor heat that locks the floor into a hypnotic, high-energy sway long after the lights come up.
A relentless 128 BPM juggernaut built for peak-time sweat, all piston-pump drums and minor-key tension.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.
Melodic hooks spiral over a breathing 122-BPM groove, turning relentless energy into widescreen, open-air euphoria.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
Heavy low-end pressure at 115 BPM meets smoked-glass vocals in a deep house cut built for the after-hours haze.
Razor-sharp electro at 140 BPM, built like a gleaming missile for peak-time floors.