The chart · Wed, 23 Sep 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 588 ranked · today's chart
The charts are ruled by house music from top to bottom, with Rooléh and Cloonee both notching two entries apiece and only Mau P's bassline and Dennis Quin's speed garage breaking the four-four monopoly near the top. It is a conservative week where the floor-filling formula reigns supreme, though I reckon Dennis Quin's "It's Time" deserves higher than eighth for injecting some actual garage urgency into a sea of steady kick drums.
The chart that day
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A propulsive 133-BPM speed-garage weapon that sacrifices subtlety for sheer, unrelenting dancefloor velocity.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
Ivory turns RY X’s vocal into a 125 BPM mantra, balancing Innervisions elegance with peak-time muscle.
A major-label vocal thumper that trades subtlety for sheer dancefloor utility; the hook lands, but expect déjà vu.
Festival-weight tech house at 130 BPM that commands the floor without pretending to reinvent the wheel.
A polished 133bpm crossover cut that trades underground grit for daytime gloss, but the vocal hooks still land with precision.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
Accessible tech trance with a funked-up backbone, built for daytime primetime and mainstage momentum.
A glossy, high-voltage house cut that turns its indie-dance hook into pure midday terrace fuel.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
Stadium-sized progressive warmth at 120 BPM, stitching minor-key longing to a high-energy groove made for sunlit floors.
Vocal hooks and a merciless 130 BPM throb turn the room into a single, breathless sing-along.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
A narcotic half-speed exhale that turns the floor into a shoulder-rolling haze, too slow to peak but perfect for golden-hour comedowns.
A polished 128 BPM main-stage cruiser that trades underground grit for festival-ready gloss, delivering exactly the hands-in-the-air euphoria the room expects.
Electro soul machined to absolute peak voltage; a 130-BPM masterclass that still turns every room into a pressure chamber.
Organic, hypnotic tension at 118 BPM that feels like breathing machinery in a dark room.
A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.
Rides a 130 BPM wave of speed-garage nostalgia with enough horsepower to fill a daytime floor without rewriting the rave playbook.
A sleek, high-pressure rework that turns the floor into a piston chamber at one-twenty-five.
Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
I’d call this a polished, stadium-sized melodic techno weapon that trades risk for immediate, hands-in-the-air gratification.
A chunky, rolling 128-bpm house cut built for peak-time floors and effortless crowd connection.
I’d call this a ruthlessly efficient 133 BPM crossover weapon that bridges tech-trance precision and mainstage hookiness without losing floor bite.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.
I'd drop this 130 BPM main-stage missile when the tent needs hands-in-the-air abandon, though its 11A chassis feels factory-fresh rather than future-shocked.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A full-throttle vocal house cut that weaponises its 128 BPM framework into peak-time euphoria without losing its soulful centre.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
I'd drop this merciless 143-BPM F-minor vortex when the after-hours crowd needs dragging into its teeth-grinding, hypnotic undertow.
A vocal bass loop locked into 130 BPM minimal pressure, purpose-built for sunlit floors and early-hour swagger.
An afro-tropical missile with a vocal hook sharp enough to cut through any peak-time mix.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
Accessible organic prog at 122 BPM; a melodic, high-energy bridge for daytime sets.
A 128 BPM juggernaut in A-flat minor that commands the floor with unrelenting electro-house pressure and daytime-set swagger.
Peak-time dub pressure soaked in amber warmth; a hypnotic 128 BPM cruiser that blurs sunset into sweat.
I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
Heavy low-end pressure at 115 BPM meets smoked-glass vocals in a deep house cut built for the after-hours haze.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A 125 BPM main-stage missile that weaponises 5B tension into pure peak-time release.
A reliable 133bpm bridge with enough rolling weight to keep daytime floors moving without stealing the spotlight.
I hear taut Afro-tinged percussion at 125 BPM riding an energy of 9 into solid peak-time utility, though transcendence stays just out of reach.
A muscular 128 BPM house roller that does exactly what it says on the tin: moves bodies.
A sun-drenched vocal cut where Tim Green balances melodic warmth against a 125 BPM backbone built for daytime floors.
A glowing, high-octane progressive cut that threads warmth through peak-time tension, built perfectly for bridging the anthemic gaps.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.
Relentless melodic thrust engineered for peak-time floors where nuance goes to die.
Those bells still cut through 4 AM haze with surgical precision, even if every hand in the room already knows the score.
A lean 130 BPM deep-tech weapon that channels maximal energy through a stripped-back, late-night frame.
This 130 BPM juggernaut funnels a classic vocal hook into peak-time pressure—big, accessible, and absolutely unrelenting.
A bruising 120-BPM tool that trades vocals for pure, peak-time floor momentum and dusky tension.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
A sun-drenched, hypnotic 120 BPM meditation where deep techno's pulse meets organic warmth, built for peak-time transcendence.
A 130 BPM vocal grenade polished for peak-time abandon; unsubtle, undeniable, and ruthlessly effective.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
Breaks-driven melodrama at house velocity, polished enough for daylight but fierce enough to command a floor.
Relentless 122 BPM D-minor heat that locks the floor into a hypnotic, high-energy sway long after the lights come up.
Tribal percussion and a searching vocal collide at 128 BPM, channelling relentless energy into credible daytime territory.
Melodic hooks spiral over a breathing 122-BPM groove, turning relentless energy into widescreen, open-air euphoria.
A glossy, floor-filling vocal cut that trades surprise for instant sing-along gratification.