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I hear a record locked at a steady 128 BPM in the open brightness of C major, channelling a near-maximum charge into every bar and turning its vocal hook into a proper peak-time rallying cry. The kick drum snaps with clinical precision, building a room that feels simultaneously enormous and tightly focused, as if it were purpose-built for systems that like to hurt a little.

For my money, this is the kind of accessible yet credible cut that earns its place in warm-up sets and main-room blitzes alike, never diluting its house lineage for the sake of the sing-along. On No Art, Rooléh proves that a strong melodic centre and serious dancefloor tension are not mutually exclusive; I would call this crossover music with its sub-bass firmly intact.