The chart · Thu, 01 Oct 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 562 ranked · today's chart
House music owns the charts this week, with Mau P's "Just A Little Bit More" perched at number one and barely a single track stepping outside the four-four framework. The narrative is total genre saturation, stretching from L.P. Rhythm and Beave straight through to Faithless's "We Come 1" rebirth on Adam Beyer's remix. I am entirely with the crowd on Mau P's bassline peak, yet I would have liked Ink and Mesto's "Freak" to climb higher and slice through the groove.
The chart that day
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
Solid, high-energy Toolroom tackle that drives the floor hard even if it lacks a truly memorable hook.
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
A sleek, Ibiza-primed weapon that trades dark-room tension for sun-drenched groove without sacrificing punch.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
Festival-weight tech house at 130 BPM that commands the floor without pretending to reinvent the wheel.
A widescreen vocal rides 10B progressive trance at 130 BPM, trading underground cred for main-stage uplift and peak-time populism.
I keep this major-label latin-tech juggernaut locked for its festival-sized vocal and 128 BPM convert-bait precision.
A propulsive 133-BPM speed-garage weapon that sacrifices subtlety for sheer, unrelenting dancefloor velocity.
Sarah De Warren’s vocal soars over a 130 BPM chassis, turning peak-time aggression into something almost anthemic without sacrificing floor weight.
A tidy 120 BPM bridge tool with enough Afro-tinged momentum to keep the floor breathing between peak-time assaults.
Rides a 130 BPM wave of speed-garage nostalgia with enough horsepower to fill a daytime floor without rewriting the rave playbook.
A polished 128 BPM main-stage cruiser that trades underground grit for festival-ready gloss, delivering exactly the hands-in-the-air euphoria the room expects.
A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.
A 122 BPM G minor house cut that weaponises its vocal hook into pure peak-time serotonin; built for hands-up moments and reckless grins.
I’d slam this 125-bpm Rother remodel straight into peak-time rotation and watch the room buckle.
A gleaming 125 BPM main-stage missile that trades shadow for sheer, unrelenting crowd euphoria.
A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.
A sun-drenched 128-bpm hook machine built for big stages and daytime abandon, all minor-key gleam and festival muscle.
I’d reach for this glossy 125 BPM progressive roller when the floor needs sun-drenched melody without surrendering its bite.
Stadium-sized progressive warmth at 120 BPM, stitching minor-key longing to a high-energy groove made for sunlit floors.
Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.
Accessible tech trance with a funked-up backbone, built for daytime primetime and mainstage momentum.
I keep returning to this 130 BPM chassis where Cari Golden's vocal turns accessible house into a hands-in-the-air sermon bigger than the booth.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.
Anthemic melodic house that turns 125 BPM efficiency into a widescreen, peak-time rush.
A 128 BPM peak-time battering ram with a vocal hook big enough to drag first-timers straight onto the floor.
A muscular 128 BPM house roller that does exactly what it says on the tin: moves bodies.
I'd drop this relentless 128 BPM vocal house missile when the room needs peak-time sweat and instant sing-alongs.
A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.
A 130-BPM speed-garage juggernaut that bruises the subs, though its absent vocal hook keeps it just shy of crossover appeal.
A slow-motion pressure cooker from Kindisch that weaponises 107 BPM into something far heavier than the tempo implies.
I'd call this a stripped-back, vocal-led juggernaut that proves how lethal minimalism can feel at full tilt.
A blazing 125 BPM house weapon that channels raw vocal energy into an irresistible daytime floor-filler.
A vocal-led Afro House cruiser that trades outright risk for pure floor utility at a locked 120.
Nine-out-of-ten melodic prog finery built for daylight floors where emotion and momentum collide.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
A sleek, vocal-threaded minimal house cut I'd programme between peak-time bombs without losing the floor.
Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
Organic house melodies glide over a driving 120-BPM backbone, bridging peak-time energy with sunlit terrace poise.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A sleek, high-pressure rework that turns the floor into a piston chamber at one-twenty-five.
Mainstream electro house with a festival-sized hook and enough 11A drive to command a midday floor.
A festival-sized payload delivered at 143 BPM with the subtlety of a siren, engineered for hands-up hysteria under strobes.
Electro soul machined to absolute peak voltage; a 130-BPM masterclass that still turns every room into a pressure chamber.
I keep this 125 BPM roller in my sunset crate: warm, cycling progressive house that bridges the terrace to the floor without ever breaking a sweat.
A soulful vocal hook rides 130-bpm steel with enough peak-time conviction to turn an afternoon terrace into a proper sweatbox.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
I’d air this at 122bpm where its Kompakt melodies hover, all minor-key atmosphere and tasteful, driven restraint.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A major-label vocal thumper that trades subtlety for sheer dancefloor utility; the hook lands, but expect déjà vu.
I still reach for this 125-BPM masterclass whenever I need a deep-house groove that turns the room into one breathing organism.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
Relentless melodic thrust engineered for peak-time floors where nuance goes to die.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
I’d bet the floor on this vocal hook: a 125 BPM progressive juggernaut that turns reciprocity into pure motion.
A 140-BPM mainstage missile where a searing vocal cuts through 4A darkness, built for peak-time daylight surrender.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
A polished progressive cut that trades instant gratification for slow-burning dancefloor hypnosis.
Anthemic progressive house that wields its 125 BPM muscle with surprising elegance, built for peak-time ascension.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
I’d ride this 125 bpm E minor bullet deep into the morning: stripped-back Solid Grooves pressure, a vocal that demands total surrender.
A relentless 130-BPM peak-time weapon where a razor-sharp vocal rides a ten-out-of-ten energy surge.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.
A 125 BPM main-stage missile that weaponises 5B tension into pure peak-time release.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.