NO BABY

I hear this at 130 BPM as pure peak-time utility: a taut, four-four tech-house frame that leaves just enough air for the vocal hook to slice clean through. The energy reads at a relentless nine, yet the texture stays glossy rather than brutal, rolling out like polished chrome across a sunlit floor.

Locked in 9A, it slides into my warm-up or daytime transitions where accessibility is an asset, not a compromise; this is the sort of cut that builds a room without hogging the oxygen, fitting the PAWSA-era palette of rolling basslines and functional, floor-facing momentum. I would drop it when the sun is high and the crowd wants movement without melodrama.