Dub / ninja

SignalCharts › 2026-08-12

The chart · Wed, 12 Aug 2026

What ranked that day — the Ninja's blend, archived as it stood.

1
▲11

A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.

2
▲1

A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.

3
NEW

A peak-time vocal weapon that burrows deep before the drop, built for hands-in-the-air moments and locked-in basement grooves.

4

A 133bpm vocal house bullet that channels peak-time heat into something sleek enough for the discerning floor.

5
▼2

A sleek, nocturnal cruiser that marries Innervisions melodics to breakbeat propulsion, built for smoke-machine dance floors and 4 AM embraces.

6
NEW

A 128 BPM roller that weaponises a vocal hook against a bassline grid, built for sun-drenched main stages where energy is non-negotiable.

7
▼1

This is Kolter trapping me at 130 BPM in a claustrophobic sweatbox of piston-pump groove and unrelenting after-hours pressure.

8
NEW

A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.

9
NEW

A restrained, vocal-led progressive cut that trades peak-time bombast for slow-burn emotional weight.

10
NEW

A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.

11
▲1

A hooky 128bpm main-stage bullet that trades intimacy for sheer, unrelenting momentum.

12
NEW

A sleek, peak-time weapon that marries deep-house sensuality with unrelenting forward thrust.

13
NEW

A glossy, floor-filling vocal cut that trades surprise for instant sing-along gratification.

14
▲21

I keep coming back to the way that vocal sits at 130bpm—pure terrace fuel with a hook that refuses to quit.

15
▲50

I'd call this a festival-sized Afro-progressive hybrid funnelling peak-time voltage into an irresistibly supple backbone.

16
▼5

Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.

17
▼11

A high-voltage melodic house weapon that channels raw emotion through insistent 125 BPM grooves and minor-key tension.

18
NEW

A peak-time vocal grenade that weaponises its hook against a relentless 128-BPM grid; unapologetically big-room tech house.

19
NEW

A peak-time weapon in 1A that knows precisely how to command a floor without breaking stride.

20
▲34

Reboot’s rebeef simmers at 128 BPM, fusing dubby warmth with a fierce, floor-filling charge.

21
▲21

Breaks and brittle emotion collide at 128 BPM, forging a peak-time anthem that aches as much as it moves.

22
NEW

A sun-drenched, hook-laden garage roller built for festival main stages and packed poolside terraces.

23
NEW

A 125 BPM main-stage missile that weaponises 5B tension into pure peak-time release.

24
▲30

Big-room vocal house that knows precisely how to milk a festival field, even if it never risks a hair out of place.

25
▲14

A propulsive 130-BPM chassis built for the trenches, slotting neatly between anthems without ever stealing the spotlight.

26
▲48

Abracadabra's latest weapon pairs a 122 BPM gallop with after-hours melancholy, proving progressive house still breathes.

27
▲76

Relentless electro artillery at 130 BPM; raw drum programming and tech-noir attitude built for peak-time damage.

28
▲67

Melodic grandeur welded to a relentless 125 BPM chassis, engineered for peak-time surrender in cavernous rooms.

29
NEW

A main-stage missile disguised as a melodic meditation, its vocal soars above 128 BPM pressure without ever losing its cool.

30
▲73

At 120 BPM in G minor, this is emotive progressive house that burns slow but runs dangerously hot.

31
▼17

A 133 BPM trance-pop cut in 5B that buffs Lykke Li's vocal to a radio sheen, built for converting newcomers rather than testing the faithful.

32
▲30

A 133-BPM juggernaut in key 5A that weaponises raw, late-night torque for peak-time floors.

33
▲22
Werk7.4

A ruthless 128-bpm utility weapon with peak-time heft, though its minor-key loop lacks the hook to linger in the memory.

34
▲28

That iconic vocal still detonates at 115 BPM, turning sparse downtempo grooves into a vast, aching cathedral of sound.

35
▲15

Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.

36
NEW

Solid, serviceable peak-time ammunition that favours brute momentum over a truly memorable hook.

37
▼31

A sugar-rush vocal hook bolted to 136 BPM electro-house pressure, built for peak-time hands-in-the-air surrender.

38
▲3

Warm melodic prog that rides a 122-BPM pulse straight into the emotive end of the night.

39
▲45

A sun-drenched Spanish topline rides a 125 BPM Afro-house current, engineered for open-air daytime abandon.

40
▲59

A pedigree collision that weaponises 128-BPM tension into pure, bassline-driven peak-time madness.

41
▲19

A relentless 143 BPM siege of tempered steel and strobe-light mathematics, engineered purely for the peak.

42
NEW

I'd drop this lascivious vocal loop at 133bpm: a speed-garage chassis with enough torque to wreck the subs and the floor.

43
NEW

Melodic heft and club muscle collide at 122 BPM for a terrace anthem that refuses to quit.

44
▲54

A peak-time vocal house cut whose hook hits like a bare bulb switching on in a darkened room.

45
▲26

An Ibiza-ready elrow weapon that trades complexity for pure, breathable main-stage momentum.

46
NEW

Mid-set progressive breaks that trade peak-time bombast for a 122 BPM emotional sway, perfect for catching breath and feeling.

47
▲11

Hardware grit and melodic warmth collide at 130bpm, carving out an atmospheric, forward-thinking pocket for the heads.

48
▲28

I drop this at 140 BPM and watch the room lock into pure Detroit voltage.

49
▲13

A polished vocal hook grips a propulsive 125-bpm chassis, fusing organic warmth with unapologetic progressive thrust.

50
▲25

Restless organic textures and a 103 bpm pulse designed for the after-hours comedown that never quite arrives.

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