The chart · Fri, 16 Oct 2026

A 133bpm vocal house bullet that channels peak-time heat into something sleek enough for the discerning floor.

A tidy, mid-set progressive cut whose melodic hook leads the way while the vocal remains understated.

Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.

A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.

A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.

A sun-drenched vocal cut that fuses indie charm with house urgency, tailor-made for a daytime headline slot.

Vocal chops and a 133bpm stride make this a polished, if predictable, daytime floor-filler.

That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.

Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.

Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.

A feverish Latin-house missile built for big tents, where that vocal hook sinks its teeth in and refuses to let go.

I would drop this 128-BPM peak-time bomb in any warehouse set; it welds bass-house heft to a technoid grid with zero mercy.

A 130 BPM main-stage missile in key 10B that trades restraint for full-throated euphoria, precision-built to unite a festival horizon.

Lush progressive grooves escalate into a main-stage payload that feels inevitable without ever cheapening the climb.

A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.

Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.

A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.

A vocal hook sharp enough to slice through 140 BPM pressure, bridging techno grit and trance euphoria without losing floor focus.

A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.

A warm, driving 125bpm hypnosis that locks the after-hours room into leftfield deep house motion.

A relentless 128-bpm house juggernaut with indie-dance hooks that turns any room into a midday sweatbox.

A vocal-led cut that threads melancholy through a tight 128 BPM grid, built for the middle of a locked-in room.

Tough swung breaks and a wiry bassline in 5A keep this at a persistent gallop without ever flattening into obviousness.

I would drop this 130 BPM minor-key pressure cooker when the terrace needs daylight propulsion, not platitudes.

A sugar-rush vocal rides a 140 BPM trance chassis, built to convert the curious into committed floor disciples.

Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.

A glossy 128 BPM bullet with a vocal hook that refuses to leave your skull, built for sun-drenched festival slots.

A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.

Solid, high-energy Toolroom tackle that drives the floor hard even if it lacks a truly memorable hook.

A peak-time vocal weapon that trades subtlety for an irresistible, chart-ready hook.

A 130-BPM exercise in controlled tension where melodic armour meets bassline weight, built for the leftfield peak-time hour.

A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.

A belting vocal hook strapped to lean 125 BPM drums, built purely for peak-time elevation.

A peak-time vocal weapon that burrows deep before the drop, built for hands-in-the-air moments and locked-in basement grooves.

A 125 BPM loop locked in 4B at constant ten, trading dynamic range for steady, functional peak-time pressure.

A lean, instrumental missile built for strobe-lit floors where melody takes a backseat to momentum.

I would drop this 120 BPM, 3A weapon when the sun hits its zenith and the mainstage needs hands-in-the-air propulsion.

A glossy, high-energy 128 BPM house cut that weaponises a familiar vocal for maximum daytime floor impact.

Raw, hypnotic techno at 140 BPM that turns the dancefloor into a pressure chamber.

I’d reach for this glossy 125 BPM progressive roller when the floor needs sun-drenched melody without surrendering its bite.

I’d ride this bruised minor-key melody straight into peak-time, no hesitation.

A sleek 128 BPM roller that weaponises a recognisable vocal into peak-time ammunition, built for main-room pressure.

A sun-drenched, hypnotic 120 BPM meditation where deep techno's pulse meets organic warmth, built for peak-time transcendence.

Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.

I keep this 125 BPM roller in my sunset crate: warm, cycling progressive house that bridges the terrace to the floor without ever breaking a sweat.

I’d call this a polished 128bpm cut that knows exactly how to work a main-room floor without ever sounding desperate.

I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.

I’d call this relentless peak-time artillery that weaponises 143 BPM into pure claustrophobia.

I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.

A sleek, high-velocity weapon for bridging peak-time anthems without emptying the floor.

Vocal tech house that turns its hook into pure dancefloor hypnosis, locked to an unforgiving 128 BPM grid.

A fluorescent 133 BPM sprint in 7B that lands its hook cleanly, then has nowhere left to go.

A 133 BPM main-room missile that marries bass-house weight to trance uplift; the hook lands clean, but I’ve heard this rush before.

A peak-time steamroller at 122 BPM with festival-scale ambition, though its instrumental frame leaves a ghost-shaped hole where a vocal hook should live.

A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.

A sunlit 122 BPM roller that drapes approachable vocals over disciplined deep techno pressure.

A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.

Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.

Raw electro muscle at 128 BPM in 4B, built for peak-time floors that thrive on unfiltered pressure.

A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.

A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.

A bruising 143bpm hypnotic assault from Mutual Rytm that sacrifices melody for sheer, unrelenting kinetic tension.

I’d ride this 125 bpm E minor bullet deep into the morning: stripped-back Solid Grooves pressure, a vocal that demands total surrender.

High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.

I’d use this 125 BPM Db minor cut as a bridge between heavier records; it keeps the floor moving without asking for the spotlight.

Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.

A glossy, serotonin-drenched vocal cut that weaponises melody for the mainstage without sacrificing progressive house credibility.

At 125 BPM, this is a brassy, full-throated anthem that demands hands-in-the-air surrender; pure peak-time voltage.

Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.

A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.

A screaming 146 BPM hardstyle juggernaut where the vocal hook does all the heavy lifting against T78’s merciless peak-time framework.

Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.

Relentless 133bpm hypnosis in 4A: a rolling, peak-time weapon that locks the floor side to side.

Those bells still cut through 4 AM haze with surgical precision, even if every hand in the room already knows the score.

Sun-drenched global-house pressure with a 120 BPM backbone, built for open-air afternoons and sweat-soaked smiles.

Tasteful sound design meets late-night momentum in a downtempo cut that glitches without losing its soul.

A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.

A polished 133 BPM mainstage missile that trades underground grit for sky-high serotonin, built for peak-time sun and outstretched hands.

Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.

A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.

Long-version hypnosis from deep house royalty; a 128-BPM masterclass in sustained, soulful tension.

A slow-burning, high-voltage groove that trades speed for weight, locking the floor in C minor at a pace that favours momentum over urgency.

A maximal yet utilitarian groove machine built for midday floors where the bassline does the heavy lifting.

A lean, rolling groove that knows its role: bridging the peaks without ever breaking a sweat.

A glossy, high-pressure progressive house weapon where Sharon’s vocal hooks sink into a relentless 120 BPM groove built for peak-time ignition.

Relentless 140 BPM pressure meets expansive emotive depth in a peak-time weapon built for the main room.

A 125 BPM main-stage missile that weaponises 5B tension into pure peak-time release.

A sleek, sun-drenched progressive roller that trades vocals for pure, meticulously engineered momentum.

Ninja Tune progressive house at full tilt—polished, propulsive, and just weird enough to keep the heads interested.

Taut, rolling percussion at 128bpm with a functional groove built purely for the floor’s late-night hypnosis.