The chart · Thu, 15 Oct 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 581 ranked · today's chart
The charts are utterly dominated by four-to-the-floor house, with Franky Rizardo landing two entries and Cloonee doubling up too, while the Solomun, Skepta and Dom Dolla summit bid sits at number two. It is a conservative, club-ready top twenty that largely refuses to look beyond the booth. I am fully with the crowd on Mau P's bassline rattler at number four cutting through all that polite house, but the lack of any real leftfield pressure makes this feel like a risk-averse week.
The chart that day
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
Vocal chops and a 133bpm stride make this a polished, if predictable, daytime floor-filler.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
The kick locks at 125 BPM with an intensity that feels more corridor than cavern, direct and unwavering in its 4A stride.
Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A feverish Latin-house missile built for big tents, where that vocal hook sinks its teeth in and refuses to let go.
Lush progressive grooves escalate into a main-stage payload that feels inevitable without ever cheapening the climb.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
A 130 BPM main-stage missile in key 10B that trades restraint for full-throated euphoria, precision-built to unite a festival horizon.
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
A vocal hook sharp enough to slice through 140 BPM pressure, bridging techno grit and trance euphoria without losing floor focus.
Taut minimal techno at 125 with a pressing pulse that fills the room without leaving fingerprints.
A relentless 128-bpm house juggernaut with indie-dance hooks that turns any room into a midday sweatbox.
A sugar-rush vocal rides a 140 BPM trance chassis, built to convert the curious into committed floor disciples.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
Solid, high-energy Toolroom tackle that drives the floor hard even if it lacks a truly memorable hook.
A lean, instrumental missile built for strobe-lit floors where melody takes a backseat to momentum.
A warm, driving 125bpm hypnosis that locks the after-hours room into leftfield deep house motion.
A belting vocal hook strapped to lean 125 BPM drums, built purely for peak-time elevation.
I would drop this 120 BPM, 3A weapon when the sun hits its zenith and the mainstage needs hands-in-the-air propulsion.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
Plavka’s voice anchors a crisp 9A groove, proving that solitude can pack a dancefloor at 125 BPM.
A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
I'd reach for this melodic Afro-progressive heat when the floor needs a commanding vocal and a steady 120 bpm sunset surge.
A glossy, high-energy 128 BPM house cut that weaponises a familiar vocal for maximum daytime floor impact.
At 125 BPM, this is a brassy, full-throated anthem that demands hands-in-the-air surrender; pure peak-time voltage.
I’d reach for this glossy 125 BPM progressive roller when the floor needs sun-drenched melody without surrendering its bite.
A sleek 128 BPM roller that weaponises a recognisable vocal into peak-time ammunition, built for main-room pressure.
A sleek, high-velocity weapon for bridging peak-time anthems without emptying the floor.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A sun-dazed, percussion-heavy slow-burn that bridges organic warmth with after-hours momentum.
Razor-edged electro that snaps and contorts, pinning the floor at odd angles with clinical, leftfield pressure.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A 125 BPM main-stage missile that weaponises 5B tension into pure peak-time release.
A peak-time steamroller at 122 BPM with festival-scale ambition, though its instrumental frame leaves a ghost-shaped hole where a vocal hook should live.
Long-version hypnosis from deep house royalty; a 128-BPM masterclass in sustained, soulful tension.
Relentless tribal percussion at 130 BPM built for sweat-drenched floors and ruthless mixing.
I’d ride this 125 bpm E minor bullet deep into the morning: stripped-back Solid Grooves pressure, a vocal that demands total surrender.
A 133 BPM breakbeat sugar-rush that sacrifices depth for immediate melodic payoff, perfect for baiting newcomers onto the floor.
A sun-drenched, hypnotic 120 BPM meditation where deep techno's pulse meets organic warmth, built for peak-time transcendence.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
A glossy, high-pressure progressive house weapon where Sharon’s vocal hooks sink into a relentless 120 BPM groove built for peak-time ignition.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
A glossy, serotonin-drenched vocal cut that weaponises melody for the mainstage without sacrificing progressive house credibility.
A vocal-led cut that threads melancholy through a tight 128 BPM grid, built for the middle of a locked-in room.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
Relentless 133bpm hypnosis in 4A: a rolling, peak-time weapon that locks the floor side to side.
A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.
A polished 133 BPM mainstage missile that trades underground grit for sky-high serotonin, built for peak-time sun and outstretched hands.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
A screaming 146 BPM hardstyle juggernaut where the vocal hook does all the heavy lifting against T78’s merciless peak-time framework.
Tough swung breaks and a wiry bassline in 5A keep this at a persistent gallop without ever flattening into obviousness.
A bruising 120-BPM tool that trades vocals for pure, peak-time floor momentum and dusky tension.
A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.
A maximal yet utilitarian groove machine built for midday floors where the bassline does the heavy lifting.