The chart · Tue, 29 Sep 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 576 ranked · today's chart
The charts are under a house stranglehold, with Bipolar Sunshine, Hardt Antoine and Nariman's "Stay" leading a top five almost entirely of four-four grooves. Mau P's bassline detour "Just A Little Bit More" is the only real outlier aloft, while techno languishes at the bottom. I back the crowd on "Stay"—it deserves the summit—but I would have pushed Ink and Mesto's "Freak" and Interplanetary Criminal and Silva Bumpa's "HOLD DA PHONE" far higher than tenth and twentieth.
The chart that day
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A sleek, Ibiza-primed weapon that trades dark-room tension for sun-drenched groove without sacrificing punch.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A sun-drenched 128-bpm hook machine built for big stages and daytime abandon, all minor-key gleam and festival muscle.
I'd call this a stripped-back, vocal-led juggernaut that proves how lethal minimalism can feel at full tilt.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
A propulsive 133-BPM speed-garage weapon that sacrifices subtlety for sheer, unrelenting dancefloor velocity.
Sarah De Warren’s vocal soars over a 130 BPM chassis, turning peak-time aggression into something almost anthemic without sacrificing floor weight.
Festival-weight tech house at 130 BPM that commands the floor without pretending to reinvent the wheel.
A widescreen vocal rides 10B progressive trance at 130 BPM, trading underground cred for main-stage uplift and peak-time populism.
A tidy 120 BPM bridge tool with enough Afro-tinged momentum to keep the floor breathing between peak-time assaults.
I keep this major-label latin-tech juggernaut locked for its festival-sized vocal and 128 BPM convert-bait precision.
A polished 133 BPM mainstage missile that trades underground grit for sky-high serotonin, built for peak-time sun and outstretched hands.
Rides a 130 BPM wave of speed-garage nostalgia with enough horsepower to fill a daytime floor without rewriting the rave playbook.
Accessible tech trance with a funked-up backbone, built for daytime primetime and mainstage momentum.
A polished 128 BPM main-stage cruiser that trades underground grit for festival-ready gloss, delivering exactly the hands-in-the-air euphoria the room expects.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
Anthemic melodic house that turns 125 BPM efficiency into a widescreen, peak-time rush.
A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.
A muscular 128 BPM house roller that does exactly what it says on the tin: moves bodies.
A 122 BPM G minor house cut that weaponises its vocal hook into pure peak-time serotonin; built for hands-up moments and reckless grins.
I keep returning to this 130 BPM chassis where Cari Golden's vocal turns accessible house into a hands-in-the-air sermon bigger than the booth.
I’d slam this 125-bpm Rother remodel straight into peak-time rotation and watch the room buckle.
Stadium-sized progressive warmth at 120 BPM, stitching minor-key longing to a high-energy groove made for sunlit floors.
A sleek, high-pressure rework that turns the floor into a piston chamber at one-twenty-five.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
Key 2A tension meets a UK garage gallop at 136 BPM, built to convert the uninitiated.
Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.
A blazing 125 BPM house weapon that channels raw vocal energy into an irresistible daytime floor-filler.
A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
Relentless melodic thrust engineered for peak-time floors where nuance goes to die.
A 130-BPM speed-garage juggernaut that bruises the subs, though its absent vocal hook keeps it just shy of crossover appeal.
A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.
A major-label vocal thumper that trades subtlety for sheer dancefloor utility; the hook lands, but expect déjà vu.
A sleek 128 BPM roller that weaponises a recognisable vocal into peak-time ammunition, built for main-room pressure.
I’d air this at 122bpm where its Kompakt melodies hover, all minor-key atmosphere and tasteful, driven restraint.
Nine-out-of-ten melodic prog finery built for daylight floors where emotion and momentum collide.
A vocal-led Afro House cruiser that trades outright risk for pure floor utility at a locked 120.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
A slow-motion pressure cooker from Kindisch that weaponises 107 BPM into something far heavier than the tempo implies.
Relentless 122 BPM deep house pressure built for the floor, but the absence of a vocal keeps it firmly insider territory.
Warm, driving progressive house at 122 BPM that channels open-air euphoria without drowning in sentiment.
I'd drop this 130 BPM main-stage missile when the tent needs hands-in-the-air abandon, though its 11A chassis feels factory-fresh rather than future-shocked.
Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
Electro soul machined to absolute peak voltage; a 130-BPM masterclass that still turns every room into a pressure chamber.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
Mainstream electro house with a festival-sized hook and enough 11A drive to command a midday floor.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
A festival-sized payload delivered at 143 BPM with the subtlety of a siren, engineered for hands-up hysteria under strobes.
Bedford’s vocal still soars, yet the 146 BPM pulse now breathes through ambient fog, trading club euphoria for patient, after-hours reverie.
I keep this 125 BPM roller in my sunset crate: warm, cycling progressive house that bridges the terrace to the floor without ever breaking a sweat.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
Jaquet reroutes a familiar ghost through Afro-house percussion and peak-time prog pressure, locking the floor at 122.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
My kind of 140bpm depth charge in 1A: Mutual Rytm’s pressurised, peak-time darkness made physical.
A vocal bass loop locked into 130 BPM minimal pressure, purpose-built for sunlit floors and early-hour swagger.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
I’d reach for this glossy 125 BPM progressive roller when the floor needs sun-drenched melody without surrendering its bite.
Ibiza-ready melodic tech-house with a sleek 125 BPM stride and enough daytime energy to move a terrace without breaking a sweat.
A chunky, rolling 128-bpm house cut built for peak-time floors and effortless crowd connection.
I’d bet the floor on this vocal hook: a 125 BPM progressive juggernaut that turns reciprocity into pure motion.
A 128 BPM peak-time battering ram with a vocal hook big enough to drag first-timers straight onto the floor.
A relentless 130-BPM peak-time weapon where a razor-sharp vocal rides a ten-out-of-ten energy surge.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
I’d ride this 125 bpm E minor bullet deep into the morning: stripped-back Solid Grooves pressure, a vocal that demands total surrender.
I’d ride this 133-BPM roller all night: Eastenderz minimalism distilled into pure, after-hours forward motion.
A gleaming 125 BPM main-stage missile that trades shadow for sheer, unrelenting crowd euphoria.