Dub / ninja
the club charts

The chart · Mon, 31 Aug 2026

What ranked that day — the Ninja's blend, archived as it stood.

top 100 of 564 ranked · today's chart

The chart that day

1new
19978.1

I’d drop this peak-time weapon when the room needs a glossy, hook-heavy release at 133 BPM.

2▼2

Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.

3▲2

A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.

4

I’d call this a peak-time vocal house missile that balances crossover hooks with proper dancefloor voltage.

5

A peak-time vocal weapon that burrows deep before the drop, built for hands-in-the-air moments and locked-in basement grooves.

6▲1

A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.

7▲4

I keep this glossy, hook-driven 125-bpm cut handy for when the floor needs an accessible jolt.

8new

A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.

9▼4

A peak-time vocal weapon that trades subtlety for an irresistible, chart-ready hook.

10

A 133bpm vocal house bullet that channels peak-time heat into something sleek enough for the discerning floor.

11▲5

Rides a 130 BPM wave of speed-garage nostalgia with enough horsepower to fill a daytime floor without rewriting the rave playbook.

12▼3

A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.

13▼3

A 128 BPM roller that weaponises a vocal hook against a bassline grid, built for sun-drenched main stages where energy is non-negotiable.

14▼2

This is Kolter trapping me at 130 BPM in a claustrophobic sweatbox of piston-pump groove and unrelenting after-hours pressure.

15▼3

A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.

16new

I’d call this a ruthlessly efficient 133 BPM crossover weapon that bridges tech-trance precision and mainstage hookiness without losing floor bite.

17▲1

I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.

18▲14

Main-stage melodic house with a hook big enough to part the clouds and a drop built strictly for peak time.

19▼4

A sleek, nocturnal cruiser that marries Innervisions melodics to breakbeat propulsion, built for smoke-machine dance floors and 4 AM embraces.

20new

Sun-drenched Defected mechanics built for the main-stage lawn, all polished 130 BPM momentum and hands-in-the-air composure.

21▼6

A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.

22▼4

A glossy, floor-filling vocal cut that trades surprise for instant sing-along gratification.

23▼13

Peak-time vocal house with a vice-tight hook and absolutely no interest in subtlety.

24▼2

I’d call this a polished, stadium-sized melodic techno weapon that trades risk for immediate, hands-in-the-air gratification.

25▲4

I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.

26▲66

A sun-drenched 122bpm roller where the vocal hook locks in and refuses to leave, built for wide-open festival floors.

27new

I’d ride this 130 BPM vocal straight into peak-time chaos; Englund’s hook turns the room into one breathless chorus.

28new

Ruthless daytime pressure at 125 BPM, built for headline hours with a hook that refuses to quit.

29▲26

Deetron turns sunrise into a 128 BPM melodic juggernaut, balancing peak-time voltage with a hook that actually belongs in daylight.

30▲45

A sun-dazed, percussion-heavy slow-burn that bridges organic warmth with after-hours momentum.

31new

Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.

32▲3

A vocal-led speed garage cut that snaps 130 BPM into peak-time focus with a hook you can’t ignore.

33

I hear taut Afro-tinged percussion at 125 BPM riding an energy of 9 into solid peak-time utility, though transcendence stays just out of reach.

34new

A 130-BPM vocal cut that welds real songcraft to techno propulsion, built equally for sunlit floors and fading radio light.

35new

A sun-drenched vocal cut that fuses indie charm with house urgency, tailor-made for a daytime headline slot.

36

A bruising 143bpm hypnotic assault from Mutual Rytm that sacrifices melody for sheer, unrelenting kinetic tension.

37▼2

A high-voltage melodic house weapon that channels raw emotion through insistent 125 BPM grooves and minor-key tension.

38▲4

I’d slot this glossy 122-BPM earworm straight into a main-stage set without losing the underground thread.

39▼14

Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.

40▲10

A peak-time tech-house cut with a razor-sharp vocal hook that bridges the commercial drop and the underground groove.

41▲12

Relentless 143-BPM hypnosis from CVNSUMED; dubby pressure that swallows the room whole and dares the floor to blink.

42▼16

Chart-savvy bassline pressure that trades depth for immediate floor impact, perfect for peak-time headline slots.

43▲44
Back8.6

Razor-sharp electro at 140 BPM, built like a gleaming missile for peak-time floors.

44▲25

Relentless 146 BPM electro pressure forged in Detroit steel and optimised for peak-time hypnosis.

45▲15

I reach for this 125 BPM deep house cut when the daytime floor needs 10/10 energy delivered with real poise.

46▲4

A vocal-led 130 bpm juggernaut I would drop to bridge deep grooves and peak-time pandemonium without sacrificing precision.

47▼12

Relentless 133-bpm pressure in 4B that turns a daytime floor into a full-blown furnace.

48▲24

Brawny, utilitarian bassline pressure best deployed as a peak-time bridge between more audacious cuts.

49▲20

I’d call this a festival-sized vocal reboot weaponising nostalgia with a 122 BPM progressive pulse and peak-time pressure built for the main stage.

50▲2

I’d call this relentless peak-time artillery that weaponises 143 BPM into pure claustrophobia.

51▲6

Melodic hooks spiral over a breathing 122-BPM groove, turning relentless energy into widescreen, open-air euphoria.

52▲9

A peak-time missile tuned to 128 BPM in key 10A, built for strobe-lit surrender and the biggest room on the island.

53

Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.

54▲4

I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.

55▲35

A hook-heavy vocal rides 130 BPM pressure, turning the floor into a single, breathless mass.

56▲2

A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.

57▲1

I’d ride this 125 bpm E minor bullet deep into the morning: stripped-back Solid Grooves pressure, a vocal that demands total surrender.

58▲31

A 133-BPM juggernaut in key 5A that weaponises raw, late-night torque for peak-time floors.

59▼9

A sun-drenched, funk-lined 128bpm cruiser built for poolside debauchery and credible enough for the heads.

60

A sun-drenched, full-throttle progressive weapon built for peak-time terrace abandon.

61▲2

A widescreen melodic house cut that trades subtlety for main-stage sweep, binding its 4B key brightness to a relentless 125 BPM grid.

62▲9

A maximalist 128 BPM rush that trades shadow for daylight, perfect for peak-time hands but almost too polished for the basement.

63

I'd drop this soulful vocal jolt on any 128-bpm tribal grid that needs daylight salvation.

64

Relentless 140 BPM pressure meets expansive emotive depth in a peak-time weapon built for the main room.

65▲26

A lean, high-utility techno roller that bridges peak-time bombs without losing the floor.

66▲47

I would drop this at peak time without hesitation; four names on the bill and none of them are dead weight, just strobe-lit Black Book business built for abandon.

67▲1

A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.

68▲12

Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.

69▲1

Raw electro muscle at 128 BPM in 4B, built for peak-time floors that thrive on unfiltered pressure.

70▼1

Melodic heft and club muscle collide at 122 BPM for a terrace anthem that refuses to quit.

71new

A sleek, high-energy bridge track that threads tribal undertones through progressive architecture without losing floor focus.

72▼20
Ride7.9

A big-room vocal weapon at 125bpm, built to turn afternoon terraces into full-blown communal chants.

73▼2

Warm, driving progressive house at 122 BPM that channels open-air euphoria without drowning in sentiment.

74new

Relentless 128bpm 5A groove engineered for PAWSA-era daylight floors, all tension and zero fuss.

75▲1

A glossy, high-energy vocal roller that weds deep-house groove to an insistent, chart-ready hook.

76▲20

I’d drop this cheeky disco-house cut that trades darkness for daylight, locking the floor at a breezy 128.

77▲17

A sleek, high-velocity weapon for the floor, all piston percussion and shadowy monochrome tension.

78▼1

Mid-set progressive breaks that trade peak-time bombast for a 122 BPM emotional sway, perfect for catching breath and feeling.

79▲4

Raw, hypnotic techno at 140 BPM that turns the dancefloor into a pressure chamber.

80▼3

A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.

81▲2

Relentless peak-time velocity at 143 BPM, locking 12A’s frost-cold hypnosis into a suffocating late-night spiral.

82▼1

A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.

83▼2

To my ears, this 133bpm cut channels Detroit influence into a relentless bassline weapon for peak-time rooms.

84new

A glossy, vocal-driven breaks cut that trades edge for immediate dancefloor gratification at a breathless 125bpm.

85▲49

I’d call this sleek, 128-BPM electro that weaponises a locked 5A key and merciless energy into pure dancefloor machinery.

86▼1

A lean, 130 BPM breaks cut that bridges peak-time slots without stealing the spotlight, all sinew and sharp edges.

87▲1

A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.

88▲5

Butch hands me a functional, high-octane tool that trades risk for relentless momentum, tightening the screws on a familiar chassis.

89▼4

A ghostly refrain rides a relentless 133 BPM bassline, engineered for the melodic techno peak.

90▲5

Those bells still cut through 4 AM haze with surgical precision, even if every hand in the room already knows the score.

91new

A glossy vocal hook rides a steady 128 BPM chassis, bridging festival melodics with Drumcode muscle for broad daytime appeal.

92▼49

I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.

93▲56

Relentless 133 BPM electro hypnosis that treats the after-hours floor like a tractor beam.

94▼11

Funky hooks snap tight across a 136 BPM skeleton, welding UK garage swing to Insomniac-scale peak-time muscle.

95▲2
Rush8.3

I’d ride this 133-BPM roller all night: Eastenderz minimalism distilled into pure, after-hours forward motion.

96

A main-stage missile disguised as a melodic meditation, its vocal soars above 128 BPM pressure without ever losing its cool.

97▼8

I keep coming back to the way that vocal sits at 130bpm—pure terrace fuel with a hook that refuses to quit.

98▲45

A solid 120-BPM Bedrock cruiser that bridges the gaps without breaking a sweat, though it rarely dares to leave the comfort zone.

99▲5

I keep this 109 BPM cut for late hours; its uncommon drive and warm emotional pull hug the floor without letting energy drop.

100▼3

A sun-drenched vocal cut where Tim Green balances melodic warmth against a 125 BPM backbone built for daytime floors.