The chart · Sun, 13 Sep 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 567 ranked · today's chart
The charts are ruled by four-to-the-floor house, with Robbie Doherty sitting pretty at the summit and Cloonee doubling up in the top ten. The real story is the old guard storming the room, from Wu-Tang Clan linking with Michael Bibi and Kettama to Richie Hawtin and Marshall Jefferson rewiring Robotman. I am fully behind that deep, rolling L.P. Rhythm cut at number two, but Mau P's bassline bruiser feels overcooked this high up.
The chart that day
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
Accessible tech trance with a funked-up backbone, built for daytime primetime and mainstage momentum.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
Festival-weight tech house at 130 BPM that commands the floor without pretending to reinvent the wheel.
This 130 BPM juggernaut funnels a classic vocal hook into peak-time pressure—big, accessible, and absolutely unrelenting.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
I’d ride this 130 BPM vocal straight into peak-time chaos; Englund’s hook turns the room into one breathless chorus.
Rides a 130 BPM wave of speed-garage nostalgia with enough horsepower to fill a daytime floor without rewriting the rave playbook.
A hooky, high-octane vocal cut that slots neatly between anthems, all 128-BPM pressure and peak-time polish.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
Cecille house muscle meets a sticky vocal hook, riding 125 BPM with unapologetic peak-time force.
I’d call this a ruthlessly efficient 133 BPM crossover weapon that bridges tech-trance precision and mainstage hookiness without losing floor bite.
A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
Main-stage progressive house at maximum voltage, tailor-made for sun-drenched Ibiza terraces and peak-time euphoria.
A polished 128 BPM main-stage cruiser that trades underground grit for festival-ready gloss, delivering exactly the hands-in-the-air euphoria the room expects.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
Sun-drenched Defected mechanics built for the main-stage lawn, all polished 130 BPM momentum and hands-in-the-air composure.
Bright, propulsive trance that balances melodic sheen with the relentless kick of a daytime headline weapon.
A sleek 122-bpm bridging tool that lets the room breathe without surrendering its progressive pulse.
A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.
A vocal-led 122-BPM gallop at maxed-out energy, built for golden-hour festival lawns and effortless radio lift.
A 130 BPM daylight Tech Trance roller with a flat-9 energy surge built for the PAWSA hours and harmonic pivots in 3A.
Raw veteran voltage: stripped 128-BPM machinery that weaponises the floor without mercy.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.
A 130-BPM vocal cut that welds real songcraft to techno propulsion, built equally for sunlit floors and fading radio light.
A 128 BPM roller that weaponises a vocal hook against a bassline grid, built for sun-drenched main stages where energy is non-negotiable.
I’d drop this for its melodic hooks cutting a 128-BPM grid with UK rave urgency that lifts a room past generic tech-house boilerplate.
A sleek, nocturnal cruiser that marries Innervisions melodics to breakbeat propulsion, built for smoke-machine dance floors and 4 AM embraces.
I hear taut Afro-tinged percussion at 125 BPM riding an energy of 9 into solid peak-time utility, though transcendence stays just out of reach.
A 125 BPM main-stage missile that weaponises 5B tension into pure peak-time release.
A polished 133 BPM mainstage missile that trades underground grit for sky-high serotonin, built for peak-time sun and outstretched hands.
A sleek, Ibiza-primed weapon that trades dark-room tension for sun-drenched groove without sacrificing punch.
A warm, vocal-kissed 122 BPM cut that bridges organic groove and tech-house muscle, tailor-made for golden-hour terraces.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
Searing 128 BPM tension funnelled through deep, hypnotic corridors; a peak-time weapon from a trusted imprint.
I'd drop this 143bpm freight train of compressed kick and synthetic grit to keep the floor locked while the headliner resets the deck.
A bullish 128-bpm bass mutation built for sun-drenched terraces and reckless midday abandon.
I would weaponise this iconic vocal into peak-time propulsion; energy nine and key one-A tension built for the main-stage.
A chunky, rolling 128-bpm house cut built for peak-time floors and effortless crowd connection.
Woven percussion and minor-key tension turn 125 BPM into a warm, relentless ritual that bridges organic depth with peak-time urgency.
I’d drop this 125 BPM bassline bruiser in a heartbeat; energy at nine, a melodic hook spiralling from key 9A darkness, and enough weight to own the peak-time floor.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
A polished 133bpm crossover cut that trades underground grit for daytime gloss, but the vocal hooks still land with precision.
A 125 BPM deep-techno churn with relentless energy, though its Ibiza-ready groove works best as fluid bridge material between bigger weapons.
Ivory turns RY X’s vocal into a 125 BPM mantra, balancing Innervisions elegance with peak-time muscle.
Melodic breaks at festival velocity, aching with synth lines built for midday sun and sweat.
A velvet vocal rides a rolling 120 BPM Afro-Deep groove, built for peak-time warmth without sacrificing its soul.
Ibiza-grade tech house at 125 BPM with enough melodic pressure to command a terrace without demanding the main room yet.
Melodic warmth wrapped in a 122-bpm chassis, primed for sunset slots where feel-good grooves outmuscle brute force.
Relentless 140-BPM pressure at energy ten; a sleek, functional bridge for when the main room needs momentum without a headline drop.
A sleek, midnight-progressive cruiser with enough melodic torque to keep the floor locked at peak energy.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
Relentless 133-bpm pressure in 4B that turns a daytime floor into a full-blown furnace.
A glossy, 133-bpm vocal hymn that converts chart sheen into proper dancefloor pressure, primed for peak-time evangelism.
Durante steers this into peak-time devotion at 122 BPM, a ten-out-of-ten voltage surge dressed in key 10B melody.
A 133 BPM main-stage missile that sacrifices subtlety for a vocal hook vast enough to swallow the room whole.
Sample-sliced hip-house at 130bpm; a daytime hook that demands a sunlit floor and a soundsystem with headroom.
Ruthless daytime pressure at 125 BPM, built for headline hours with a hook that refuses to quit.
Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.
Electro soul machined to absolute peak voltage; a 130-BPM masterclass that still turns every room into a pressure chamber.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
Melodic heft and club muscle collide at 122 BPM for a terrace anthem that refuses to quit.
A relentless low-end stomper that sacrifices vocal immediacy for pure, sweaty floor momentum.
Adiel and Pat Alvarez carve Metronomy into a lean, 136-BPM weapon that bristles with leftfield credibility and dancefloor intent.
A vocal bass loop locked into 130 BPM minimal pressure, purpose-built for sunlit floors and early-hour swagger.
Propulsive organic house at 120 with real dancefloor traction, though it cries out for a vocal hook to push it over the edge.
Big-room trance at 128 that trades subtlety for a hook big enough to hoover up the festival horizon.
Melodic hooks spiral over a breathing 122-BPM groove, turning relentless energy into widescreen, open-air euphoria.
I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.
A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.
A relentless 130-BPM peak-time weapon where a razor-sharp vocal rides a ten-out-of-ten energy surge.