The chart · Sat, 03 Oct 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 570 ranked · today's chart
House music dominates the charts with twelve entries, yet trance and bassline are punching hard at the summit as Majestic and Layton Giordani claim number one with "Bassline" while Mau P storms the top three. Cloonee notches two appearances, underlining just how ubiquitous his sound is right now. I reckon the crowd has it spot-on elevating those heavier, melodic cuts over safer, looped four-four fare.
The chart that day
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
I keep this major-label latin-tech juggernaut locked for its festival-sized vocal and 128 BPM convert-bait precision.
Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.
A widescreen vocal rides 10B progressive trance at 130 BPM, trading underground cred for main-stage uplift and peak-time populism.
A 122 BPM minor-key surge that channels peak-time voltage into warm, soulful deep house mechanics.
A brittle vocal anchors 122 BPM organic prog, offering a bruised, playable interlude between heavier peak-time weapons.
Solid, high-energy Toolroom tackle that drives the floor hard even if it lacks a truly memorable hook.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
I'd call this a stripped-back, vocal-led juggernaut that proves how lethal minimalism can feel at full tilt.
Festival-weight tech house at 130 BPM that commands the floor without pretending to reinvent the wheel.
A polished progressive cut that trades instant gratification for slow-burning dancefloor hypnosis.
A gleaming 125 BPM main-stage missile that trades shadow for sheer, unrelenting crowd euphoria.
Warm melodic prog that rides a 122-BPM pulse straight into the emotive end of the night.
A propulsive 133-BPM speed-garage weapon that sacrifices subtlety for sheer, unrelenting dancefloor velocity.
Anthemic melodic house that turns 125 BPM efficiency into a widescreen, peak-time rush.
I’d reach for this glossy 125 BPM progressive roller when the floor needs sun-drenched melody without surrendering its bite.
A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
A sleek, Ibiza-primed weapon that trades dark-room tension for sun-drenched groove without sacrificing punch.
Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.
Sarah De Warren’s vocal soars over a 130 BPM chassis, turning peak-time aggression into something almost anthemic without sacrificing floor weight.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
Stadium-sized progressive warmth at 120 BPM, stitching minor-key longing to a high-energy groove made for sunlit floors.
Electro soul machined to absolute peak voltage; a 130-BPM masterclass that still turns every room into a pressure chamber.
I’d slam this 125-bpm Rother remodel straight into peak-time rotation and watch the room buckle.
A polished 128 BPM main-stage cruiser that trades underground grit for festival-ready gloss, delivering exactly the hands-in-the-air euphoria the room expects.
A rolling 128 BPM groove that channels peak-time Ibiza heat through A minor tension, purpose-built for sun-drenched floors and big systems.
At 122 bpm in 4A, this is the sound of 4 a.m. gratitude: melodic, weightless, and impossibly bittersweet.
A 130 BPM main-stage missile in key 10B that trades restraint for full-throated euphoria, precision-built to unite a festival horizon.
A vocal-led 130 bpm juggernaut I would drop to bridge deep grooves and peak-time pandemonium without sacrificing precision.
A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.
Ninja Tune progressive house at full tilt—polished, propulsive, and just weird enough to keep the heads interested.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
A 122 BPM G minor house cut that weaponises its vocal hook into pure peak-time serotonin; built for hands-up moments and reckless grins.
A tidy 120 BPM bridge tool with enough Afro-tinged momentum to keep the floor breathing between peak-time assaults.
Rides a 130 BPM wave of speed-garage nostalgia with enough horsepower to fill a daytime floor without rewriting the rave playbook.
Organic percussion and a proper earworm hook turn this 120 BPM cut into peak-time gold.
I’d slot this sun-drenched vocal hook at 122 BPM straight into a sunset set, bridging polished mainstage uplift with poolside melodic ease.
A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.
I still reach for this 125-BPM masterclass whenever I need a deep-house groove that turns the room into one breathing organism.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
I’d bet the floor on this vocal hook: a 125 BPM progressive juggernaut that turns reciprocity into pure motion.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
A festival-sized payload delivered at 143 BPM with the subtlety of a siren, engineered for hands-up hysteria under strobes.
A 140-BPM mainstage missile where a searing vocal cuts through 4A darkness, built for peak-time daylight surrender.
Nine-out-of-ten melodic prog finery built for daylight floors where emotion and momentum collide.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.
Sun-drenched Defected mechanics built for the main-stage lawn, all polished 130 BPM momentum and hands-in-the-air composure.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A slow-motion pressure cooker from Kindisch that weaponises 107 BPM into something far heavier than the tempo implies.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
My kind of 140bpm depth charge in 1A: Mutual Rytm’s pressurised, peak-time darkness made physical.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.
Anthemic progressive house that wields its 125 BPM muscle with surprising elegance, built for peak-time ascension.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A sleek, high-pressure rework that turns the floor into a piston chamber at one-twenty-five.
A muscular 128 BPM house roller that does exactly what it says on the tin: moves bodies.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
Mainstream electro house with a festival-sized hook and enough 11A drive to command a midday floor.
A 128 BPM peak-time battering ram with a vocal hook big enough to drag first-timers straight onto the floor.
I keep returning to this 130 BPM chassis where Cari Golden's vocal turns accessible house into a hands-in-the-air sermon bigger than the booth.
A muscular 122 BPM progressive driver that sacrifices melody for momentum, leaving the floor energised but emotionally underfed.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
A sleek, vocal-threaded minimal house cut I'd programme between peak-time bombs without losing the floor.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.