The chart · Fri, 13 Nov 2026

A full-throated vocal latches onto a 128 BPM bassline grid, pure peak-time fuel that demands hands-in-the-air surrender.

I’d drop this peak-time weapon when the room needs a glossy, hook-heavy release at 133 BPM.

At 140 BPM and full energy, a taut tech-trance line with a vocal shadow and a clean, driving pulse.

A polished 125-BPM E-minor house cut that keeps the floor moving with a functional vocal loop and peak-time gloss.

A 130 BPM push of looping phrases and steady-floor pressure that trades depth for immediate, functional momentum.

A polished club cut at 130 with a vocal hook that knows exactly where to sit in the mix.

Afro-house percussion over a dry, unbothered kick, with a vocal that thins rather than swells — brisk, unhurried, quietly persuasive.

A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.

A steady, high-energy progressive groove at 128 BPM that keeps pressure constant without ever finding its own voice.

A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.

A 133bpm vocal house bullet that channels peak-time heat into something sleek enough for the discerning floor.

A peak-time vocal weapon that burrows deep before the drop, built for hands-in-the-air moments and locked-in basement grooves.

A 122 BPM deep-house mover in A minor that keeps its energy high without shouting — all pressure and glide.

A clipped tech-house roller with a vocal hook that lodges without shouting, built for the warm-up before the room commits.

A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.

Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.

A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.

A vocal house cut that keeps its cool at 125 — Clark's phrasing sits in the pocket while the low end does the walking.

A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.

A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.

A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.

Patient at 125, but the energy says otherwise — a vocal worn down to texture over F# minor, built for the hour when the room goes quiet and wide.

A 122 BPM Afro house grenade with unrelenting energy and a vocal that commands the floor from the first beat.

A 130 BPM tech-trance remix that keeps its head down and its hi-hats moving, built for the long stretch after the warm-up.

I’d drop this vocal cut at 130bpm when the floor needs a bright, major-key nudge without losing its stride.

I hear a polished Afro House groove at 122 BPM where the vocal does the steering and the edges stay deliberately smooth.

I reach for this when the room needs a shameless vocal hook and a brick-hard 128 BPM kick; polished, effective peak-time ammunition.

A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.

Sleek progressive house holding its 122 BPM in a tight fist — F minor melancholy dressed for a wide-open room.

A 130 BPM progressive house cut in A-flat minor that keeps the floor locked without stealing the spotlight.

This is Kolter trapping me at 130 BPM in a claustrophobic sweatbox of piston-pump groove and unrelenting after-hours pressure.

Vocal electro house at 128 that keeps its cool — a clipped bassline, a voice half-swallowed by the mix, and plenty of space left around it.

Tech-trance pressure at 133 BPM: clipped low end, a vocal smeared in the middle distance, and a 3A dark gleam that turns a set without forcing it.

I hear a 122 BPM progressive house cut in 9B that channels high energy into warm, organic grooves with a surprisingly grounded stride.

A dry, clipped hook over a square 128 kick — house that holds the floor rather than lifts it.

Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.

A patient kick, a busy top end, and a bowed minor-key figure that repeats until it becomes the hook.

A 130 BPM bassline cut with a vocal hook and a bright D-flat major lift — buoyant, functional, and easy to place.

Grey-blue progressive house at 122: pressure over brightness, clipped momentum, built to hold a daytime floor rather than lift it.

Taut 140bpm pressure sculpted with the precision you expect from Hessle Audio, primed for the deeper pockets of a club set.

High-velocity house at 130 BPM with a cool metallic edge; functional, focused, and built for seamless transitions.

Progressive house at 125 BPM with the energy pinned at ten — bright in 10B, but there's a shadow under the hook.

A 128 BPM dark disco vocal that trades on tension, not release — E-flat minor synth-pop for the locked-in hours.

A clean, linear tech-trance cut at 140 BPM: dry kick, tight percussion, and a vocal used as texture rather than a hook.

A vocal hook about pulling together over a plain 125 BPM pulse in G minor — warm, unshowy, and easy to place in a room.

Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.

A direct vocal loops over brisk 133 bpm drums, minor-key tension dressed up for immediate floor recognition.

A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.

A clipped, propulsive tech-trance roller that keeps its head down and its edges sharp.

A 128 BPM tech-house cut with a vocal hook that lodges quickly and a clean, propulsive groove.

Progressive house at a modest 120 BPM that finds its lift in layering rather than speed — patient, bright, and built for the long middle of a daytime set.

A bright, rolling groove that opens a room rather than filling it — well-mannered deep techno for the edges of a set.

A 130bpm hypnosis ritual that rewires the dancefloor with leftfield precision and unrelenting nocturnal pressure.

A 125 BPM roller with a high-heat engine and a vocal hook that evaporates before it lands.

The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.

Progressive house with an unhurried kick and everything churning above it — F# minor melancholy, the vocal used as texture rather than hook.

A shadowed vocal hook over a patient 125 BPM groove — progressive house that earns its melody rather than announcing it.

I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.

Unrelenting 140 BPM hypnosis; cavernous dub textures that drown the room in F minor shadow.

Skippy two-step at 136, sub-bass in E minor doing the talking — pressure held rather than released.

A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.

Razor-wire breaks at 128 BPM cut through the fog like a Tresor strobe, pure Detroit voltage wired straight to the floor.

Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.

Tasteful sound design meets late-night momentum in a downtempo cut that glitches without losing its soul.

Vocal house that keeps its composure, riding a 125 BPM pulse with enough restraint to let the room breathe before the lift.

Progressive breaks at 125 with a bright 8B centre: clean forward motion, wide room, no cheap lift.

I would drop this 130 BPM minor-key pressure cooker when the terrace needs daylight propulsion, not platitudes.

A bruising 143bpm hypnotic assault from Mutual Rytm that sacrifices melody for sheer, unrelenting kinetic tension.

Breaks and brittle emotion collide at 128 BPM, forging a peak-time anthem that aches as much as it moves.

Patient melodic techno at 136: the kick holds still while the arpeggio climbs, and F minor does the emotional work.

A sun-drenched vocal soars above 122 BPM tropical grooves, main-stage euphoria that keeps its dignity intact.

Polished 133-BPM house with F# minor shadows; high energy, major-label sheen, and just enough grit to keep the floor honest.

F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.

Lean, asymmetrical dubstep at 143 BPM that favours empty space and nervous momentum over predictable weight.

I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.

Relentless 140 BPM pressure meets expansive emotive depth in a peak-time weapon built for the main room.

My kind of 140bpm depth charge in 1A: Mutual Rytm’s pressurised, peak-time darkness made physical.

A 128 BPM pulse in key 7B, kept at energy 2, stretches across the room like smoke in low light.

A 120 BPM progressive house cut with a bright melodic hook and enough lift for the open-air hours.

A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.

A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.

Relentless 122 BPM D-minor heat that locks the floor into a hypnotic, high-energy sway long after the lights come up.

I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.

I’d reach for this piston-locked 125 BPM machine-funk rebuild when the room needs Detroit heat without bludgeoning the floor.

A sun-drenched, hypnotic 120 BPM meditation where deep techno's pulse meets organic warmth, built for peak-time transcendence.

Vocal hooks grip a rolling 120 BPM groove, conjuring a euphoric progressive house room that refuses to empty.

High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.

Relentless yet supple after-hours hypnosis, all warm texture and locked organic groove.

A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.

Rampa and &ME sculpt Moderat’s source into a 122-BPM juggernaut, equal parts cathedral melancholy and peak-time sweat.