At 136 the two-step skips rather than slams: hi-hats clipped tight, the sub doing the talking underneath. E minor keeps the whole thing in shadow, and nothing here reaches for daylight. Energy reads ten, but it's a controlled ten — pressure held rather than spent, the groove rolling forward with its shoulders down.
It sits early-to-mid in a set, a bridging record for when the room needs motion and no vocal to hang on. The bassline nags, the drums stay lean, and it exits without leaving a mark. That's not a criticism; some records are there to keep the floor ticking over between the ones that matter.