Progressive house carried the day, with Sébastien Léger and Dulus's "A Million Cascades" and Boris Brejcha's "Cello Tears" leading a melodic, mid-tempo charge. Tech trance ran it close — Nava and Charlotte de Witte's "Azadi" and the HNTR and KASIA rub of "Space Date" both hit hard. House and synth-pop flecks kept the edges loose.
32 added to rotation
A dry, close vocal house cut at 128 that walks rather than pumps — built to carry a room from warm-up into the night proper.
A shadowed vocal hook over a patient 125 BPM groove — progressive house that earns its melody rather than announcing it.
A vocal hook about pulling together over a plain 125 BPM pulse in G minor — warm, unshowy, and easy to place in a room.
A 130 BPM tech-trance remix that keeps its head down and its hi-hats moving, built for the long stretch after the warm-up.
A clipped, kick-led house tool at 130 — bright in the key, blunt in the low end, and built to slot in without fuss.
A 130 BPM bassline cut with a vocal hook and a bright D-flat major lift — buoyant, functional, and easy to place.
A patient kick, a busy top end, and a bowed minor-key figure that repeats until it becomes the hook.
Sleek progressive house holding its 122 BPM in a tight fist — F minor melancholy dressed for a wide-open room.
A 128 BPM house cut with a vocal hook that lands early and a clean, steady pulse; well made, uncluttered and easy to read on a floor.
A 128 BPM dark disco vocal that trades on tension, not release — E-flat minor synth-pop for the locked-in hours.
A clipped, propulsive tech-trance roller that keeps its head down and its edges sharp.
Tech-trance pressure at 133 BPM: clipped low end, a vocal smeared in the middle distance, and a 3A dark gleam that turns a set without forcing it.
A vocal tech-trance cut that drives hard at 136 BPM, its bright 3B key lifting the pressure without breaking the momentum.
A clipped vocal stab looped into rhythm over a dry 133 BPM kick — a working tool for the middle of a set, not the peak.
A clean, linear tech-trance cut at 140 BPM: dry kick, tight percussion, and a vocal used as texture rather than a hook.
At 140 BPM and full energy, a taut tech-trance line with a vocal shadow and a clean, driving pulse.
Progressive house with an unhurried kick and everything churning above it — F# minor melancholy, the vocal used as texture rather than hook.
A patient 125 BPM frame and a vocal that sits bittersweet in F# minor — melodic house for the warm middle of a set.
Bright, arpeggiated progressive house that earns its lift through patience rather than volume — melody doing the heavy lifting at 122.
Cascading arpeggios in B major, unhurried at 122 but thick with detail — melodic house that decorates a room without crowding it.