Not Over Yet (Grace, Paul Oakenfold vs. Julian Fijma)

At 133 BPM in 12A, the track drapes Grace’s vocal across a stripped, urgent techno chassis. The energy reads high, yet the architecture feels considered rather than frantic: a steady four-four pulse leaves room for the melody to unravel in breathy phrases while the low-end tucks tightly underneath, never overwhelming the voice.

I’d place it in the latter half of a peak-time set, where the floor is already warm and the vocal can work without shouting. There is a tension between the melodic hook and the current rhythmic frame, but the balance holds; it keeps bodies moving because it knows when to pause, letting the minor drift of 12A linger for a beat longer than expected.