The chart · Thu, 12 Nov 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 625 ranked · today's chart
House owns this chart — Defected alone holds three slots (3, 16, 20), and the top is progressive house's smooth handiwork from Sébastien Léger and Dulus. The story is crossover: Snoop Dogg with HUGEL, Skepta alongside Solomun and Dom Dolla. My taste diverges from the crowd here — that polished summit is tasteful but safe, while the genuine spark sits lower down, in Mau P's bassline and the techno creeping up from ten.
The chart that day
Cascading arpeggios in B major, unhurried at 122 but thick with detail — melodic house that decorates a room without crowding it.
A bright C-major house cut at 130 — vocal hook forward, percussion clipped and dry, lifting the room without forcing it.
A 128 BPM house cut with a vocal hook that lands early and a clean, steady pulse; well made, uncluttered and easy to read on a floor.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
A clipped vocal stab looped into rhythm over a dry 133 BPM kick — a working tool for the middle of a set, not the peak.
A polished 125-BPM E-minor house cut that keeps the floor moving with a functional vocal loop and peak-time gloss.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
Patient at 125, but the energy says otherwise — a vocal worn down to texture over F# minor, built for the hour when the room goes quiet and wide.
A polished club cut at 130 with a vocal hook that knows exactly where to sit in the mix.
A steady, high-energy progressive groove at 128 BPM that keeps pressure constant without ever finding its own voice.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A sleek 128 BPM house roller that keeps the floor moving through the middle of the night without reaching for a hook.
Grey-blue progressive house at 122: pressure over brightness, clipped momentum, built to hold a daytime floor rather than lift it.
A 122 BPM deep-house mover in A minor that keeps its energy high without shouting — all pressure and glide.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
Afro-house percussion over a dry, unbothered kick, with a vocal that thins rather than swells — brisk, unhurried, quietly persuasive.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
A vocal house cut that keeps its cool at 125 — Clark's phrasing sits in the pocket while the low end does the walking.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
Taut 140bpm pressure sculpted with the precision you expect from Hessle Audio, primed for the deeper pockets of a club set.
I’d drop this vocal cut at 130bpm when the floor needs a bright, major-key nudge without losing its stride.
My kind of 140bpm depth charge in 1A: Mutual Rytm’s pressurised, peak-time darkness made physical.
A clipped, kick-led house tool at 130 — bright in the key, blunt in the low end, and built to slot in without fuss.
A 128 BPM pulse in key 7B, kept at energy 2, stretches across the room like smoke in low light.
I hear a 122 BPM progressive house cut in 9B that channels high energy into warm, organic grooves with a surprisingly grounded stride.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
Lean, asymmetrical dubstep at 143 BPM that favours empty space and nervous momentum over predictable weight.
A 120 BPM progressive house cut with a bright melodic hook and enough lift for the open-air hours.
At 140 BPM and full energy, a taut tech-trance line with a vocal shadow and a clean, driving pulse.
Vocal electro house at 128 that keeps its cool — a clipped bassline, a voice half-swallowed by the mix, and plenty of space left around it.
A polished, vocal-tinged progressive cut that rolls at 122 BPM with enough minor-key tension to keep a floor moving.
A sullen F-minor groove at 130 with a clipped vocal hook that works as texture more than chorus.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
Razor-wire breaks at 128 BPM cut through the fog like a Tresor strobe, pure Detroit voltage wired straight to the floor.
Melodic house at a firm 125, its high energy polished into glassy E-flat minor tension rather than outright release.
A clipped vocal hook and a firm 122 BPM roll give this one a clean, functional pressure that works as a set-bridge rather than a centrepiece.
A looped vocal spins over tidy 128 BPM drums, offering polished utility for the floor’s steadier moments.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
A looping vocal sample threads through taut 130 BPM percussion, lending the deep-tech groove its solitary melodic anchor.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
Progressive house at a modest 120 BPM that finds its lift in layering rather than speed — patient, bright, and built for the long middle of a daytime set.
A vocal-led 125 BPM cut that channels daytime momentum without losing its indie-tech edge.
A 122 BPM G minor house cut that weaponises its vocal hook into pure peak-time serotonin; built for hands-up moments and reckless grins.
I keep this for its lean architecture and a D-minor hook that surfaces exactly when it should.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A 130 BPM tech-trance remix that keeps its head down and its hi-hats moving, built for the long stretch after the warm-up.
A sun-drenched, hypnotic 120 BPM meditation where deep techno's pulse meets organic warmth, built for peak-time transcendence.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A shadowed vocal hook over a patient 125 BPM groove — progressive house that earns its melody rather than announcing it.
A 146 BPM furnace of psychedelic pressure that turns any room into a sweat-drenched ritual.
Tasteful sound design meets late-night momentum in a downtempo cut that glitches without losing its soul.
Sleek progressive house holding its 122 BPM in a tight fist — F minor melancholy dressed for a wide-open room.
Relentless 122 BPM D-minor heat that locks the floor into a hypnotic, high-energy sway long after the lights come up.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
Patient melodic techno at 136: the kick holds still while the arpeggio climbs, and F minor does the emotional work.
Tech-trance pressure at 133 BPM: clipped low end, a vocal smeared in the middle distance, and a 3A dark gleam that turns a set without forcing it.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
Ivory turns RY X’s vocal into a 125 BPM mantra, balancing Innervisions elegance with peak-time muscle.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
Vocal house that keeps its composure, riding a 125 BPM pulse with enough restraint to let the room breathe before the lift.
I’d reach for this piston-locked 125 BPM machine-funk rebuild when the room needs Detroit heat without bludgeoning the floor.
Vocal hooks grip a rolling 120 BPM groove, conjuring a euphoric progressive house room that refuses to empty.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
A patient kick, a busy top end, and a bowed minor-key figure that repeats until it becomes the hook.
A 130 BPM bassline cut with a vocal hook and a bright D-flat major lift — buoyant, functional, and easy to place.