The chart · Wed, 11 Nov 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 667 ranked · today's chart
House owns this chart from top to bottom, with big-room names like Solomun, Dom Dolla and Skepta rubbing shoulders with Defected and Toolroom workouts — the sound of the season is unashamedly vocal, bass-driven and built for the terrace. The story is Faithless getting the Adam Beyer treatment at two, a tech-trance revival dressed as a peak-time weapon. My taste says the crowd is right about Prospa and Kettama at five, but the Snoop Dogg house record at seven is novelty wearing a hi-hat.
The chart that day
Patient at 125, but the energy says otherwise — a vocal worn down to texture over F# minor, built for the hour when the room goes quiet and wide.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
A bright C-major house cut at 130 — vocal hook forward, percussion clipped and dry, lifting the room without forcing it.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
A steady, high-energy progressive groove at 128 BPM that keeps pressure constant without ever finding its own voice.
A 128 BPM house cut with a vocal hook that lands early and a clean, steady pulse; well made, uncluttered and easy to read on a floor.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
I hear a 122 BPM progressive house cut in 9B that channels high energy into warm, organic grooves with a surprisingly grounded stride.
A polished club cut at 130 with a vocal hook that knows exactly where to sit in the mix.
A polished 125-BPM E-minor house cut that keeps the floor moving with a functional vocal loop and peak-time gloss.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
A clipped vocal stab looped into rhythm over a dry 133 BPM kick — a working tool for the middle of a set, not the peak.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
I’d drop this vocal cut at 130bpm when the floor needs a bright, major-key nudge without losing its stride.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
I keep this for its lean architecture and a D-minor hook that surfaces exactly when it should.
A polished, vocal-tinged progressive cut that rolls at 122 BPM with enough minor-key tension to keep a floor moving.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
Razor-wire breaks at 128 BPM cut through the fog like a Tresor strobe, pure Detroit voltage wired straight to the floor.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
My kind of 140bpm depth charge in 1A: Mutual Rytm’s pressurised, peak-time darkness made physical.
I’d reach for this piston-locked 125 BPM machine-funk rebuild when the room needs Detroit heat without bludgeoning the floor.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
Grey-blue progressive house at 122: pressure over brightness, clipped momentum, built to hold a daytime floor rather than lift it.
Melodic house at a firm 125, its high energy polished into glassy E-flat minor tension rather than outright release.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
A shadowed vocal hook over a patient 125 BPM groove — progressive house that earns its melody rather than announcing it.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
Lean, asymmetrical dubstep at 143 BPM that favours empty space and nervous momentum over predictable weight.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
A vocal-led 125 BPM cut that channels daytime momentum without losing its indie-tech edge.
A sleek 128 BPM roller that weaponises a recognisable vocal into peak-time ammunition, built for main-room pressure.
Taut 140bpm pressure sculpted with the precision you expect from Hessle Audio, primed for the deeper pockets of a club set.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
At 140 BPM and full energy, a taut tech-trance line with a vocal shadow and a clean, driving pulse.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A 146 BPM furnace of psychedelic pressure that turns any room into a sweat-drenched ritual.
A vocal house cut that keeps its cool at 125 — Clark's phrasing sits in the pocket while the low end does the walking.
A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
A sun-drenched, hypnotic 120 BPM meditation where deep techno's pulse meets organic warmth, built for peak-time transcendence.
A 130 BPM tech-trance remix that keeps its head down and its hi-hats moving, built for the long stretch after the warm-up.
Relentless 122 BPM D-minor heat that locks the floor into a hypnotic, high-energy sway long after the lights come up.
A 128 BPM pulse in key 7B, kept at energy 2, stretches across the room like smoke in low light.
A 125 BPM loop locked in 4B at constant ten, trading dynamic range for steady, functional peak-time pressure.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
Rampa and &ME sculpt Moderat’s source into a 122-BPM juggernaut, equal parts cathedral melancholy and peak-time sweat.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
Ivory turns RY X’s vocal into a 125 BPM mantra, balancing Innervisions elegance with peak-time muscle.
A 122 BPM G minor house cut that weaponises its vocal hook into pure peak-time serotonin; built for hands-up moments and reckless grins.
A 122 BPM deep-house mover in A minor that keeps its energy high without shouting — all pressure and glide.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
A bruising, hypnotic 143-BPM weapon that turns the after-hours room into a pressure cooker of pure physicality.
Sun-warmed pads and a measured 122 BPM groove carve out an open-air momentum that drifts rather than digs.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
A patient kick, a busy top end, and a bowed minor-key figure that repeats until it becomes the hook.
A 130 BPM bassline cut with a vocal hook and a bright D-flat major lift — buoyant, functional, and easy to place.
Sleek progressive house holding its 122 BPM in a tight fist — F minor melancholy dressed for a wide-open room.
Melodic lines in Db major spiral upward at 125 BPM, building a patient bridge between warm-up tension and the floor's fuller moments.