The chart · Tue, 10 Nov 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 669 ranked · today's chart
House owns the chart — most of the twenty — yet the top slot goes to a 2001 Faithless anthem rebuilt by Adam Beyer, with Oakenfold's 'Not Over Yet' proving heritage reworks are the safest currency in circulation. The real story is crossover casting: Skepta alongside Solomun and Dom Dolla, Snoop Dogg alongside HUGEL. My taste sits lower down — Prospa and Kettama's 'Think of You' and Mella Dee's 'Changes' carry more personality than the polished Defected end.
The chart that day
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
A bright C-major house cut at 130 — vocal hook forward, percussion clipped and dry, lifting the room without forcing it.
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
Patient at 125, but the energy says otherwise — a vocal worn down to texture over F# minor, built for the hour when the room goes quiet and wide.
A polished club cut at 130 with a vocal hook that knows exactly where to sit in the mix.
A steady, high-energy progressive groove at 128 BPM that keeps pressure constant without ever finding its own voice.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
A 128 BPM house cut with a vocal hook that lands early and a clean, steady pulse; well made, uncluttered and easy to read on a floor.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
I’d drop this vocal cut at 130bpm when the floor needs a bright, major-key nudge without losing its stride.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A polished 125-BPM E-minor house cut that keeps the floor moving with a functional vocal loop and peak-time gloss.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
A clipped vocal stab looped into rhythm over a dry 133 BPM kick — a working tool for the middle of a set, not the peak.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
I keep this for its lean architecture and a D-minor hook that surfaces exactly when it should.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A polished, vocal-tinged progressive cut that rolls at 122 BPM with enough minor-key tension to keep a floor moving.
Razor-wire breaks at 128 BPM cut through the fog like a Tresor strobe, pure Detroit voltage wired straight to the floor.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
My kind of 140bpm depth charge in 1A: Mutual Rytm’s pressurised, peak-time darkness made physical.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
Grey-blue progressive house at 122: pressure over brightness, clipped momentum, built to hold a daytime floor rather than lift it.
Melodic house at a firm 125, its high energy polished into glassy E-flat minor tension rather than outright release.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
A sleek 128 BPM roller that weaponises a recognisable vocal into peak-time ammunition, built for main-room pressure.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
Lean, asymmetrical dubstep at 143 BPM that favours empty space and nervous momentum over predictable weight.
Taut 140bpm pressure sculpted with the precision you expect from Hessle Audio, primed for the deeper pockets of a club set.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
A 125 BPM loop locked in 4B at constant ten, trading dynamic range for steady, functional peak-time pressure.
Solid, high-energy Toolroom tackle that drives the floor hard even if it lacks a truly memorable hook.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
I’d reach for this piston-locked 125 BPM machine-funk rebuild when the room needs Detroit heat without bludgeoning the floor.
A 146 BPM furnace of psychedelic pressure that turns any room into a sweat-drenched ritual.
A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.
At 140 BPM and full energy, a taut tech-trance line with a vocal shadow and a clean, driving pulse.
A 128 BPM pulse in key 7B, kept at energy 2, stretches across the room like smoke in low light.
A polished, vocal-led 122-BPM driver that trades shadow for sunlight, keeping its F minor ache just beneath the surface.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
Rampa and &ME sculpt Moderat’s source into a 122-BPM juggernaut, equal parts cathedral melancholy and peak-time sweat.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A vocal-led 125 BPM cut that channels daytime momentum without losing its indie-tech edge.
A 130 BPM tech-trance remix that keeps its head down and its hi-hats moving, built for the long stretch after the warm-up.
Ivory turns RY X’s vocal into a 125 BPM mantra, balancing Innervisions elegance with peak-time muscle.
A 122 BPM G minor house cut that weaponises its vocal hook into pure peak-time serotonin; built for hands-up moments and reckless grins.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
A bruising, hypnotic 143-BPM weapon that turns the after-hours room into a pressure cooker of pure physicality.
A sleek 122 BPM glide in A minor with enough refined drive to slip neatly between heavier cuts.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
A brisk 122 BPM progressive house cut with airy melody and minor-key shade that fills a set without claiming the centre.
A sun-drenched, hypnotic 120 BPM meditation where deep techno's pulse meets organic warmth, built for peak-time transcendence.
Melodic lines in Db major spiral upward at 125 BPM, building a patient bridge between warm-up tension and the floor's fuller moments.
Those bells still cut through 4 AM haze with surgical precision, even if every hand in the room already knows the score.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.