The chart · Mon, 02 Nov 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 598 ranked · today's chart
The charts are ruled by four-on-the-floor house, with almost every entry locked into pumping kick drums and club-ready grooves. The story is the blockbuster crossover pull, from Snoop Dogg and Skepta crashing the top ten to a major-label Paul Oakenfold rework, yet the real heat sits lower down where ODF's speed garage bite and Mau P's bassline menace feel hungrier than the polished A-list collabs.
The chart that day
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
Taut vocal house at 125 BPM; the hook locks in without ever raising its voice.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
A dependable 130 BPM utility with high energy but little identity; useful for keeping floors moving between records with more to say.
A lean, 133-BPM minimal groove that keeps the floor moving without stealing the spotlight.
Melodic lines in Db major spiral upward at 125 BPM, building a patient bridge between warm-up tension and the floor's fuller moments.
Sleek, rolling minimalism at 128 BPM engineered for locked-in, lights-down club hypnosis.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
Taut, melancholic house at 128 bpm in B-flat minor, converting nine points of energy into steady floor motion rather than outright abandon.
Sleek, vocal-led house at 130 with a topline that winds tight and a hook that lingers after last orders.
A warm, earthy 122 BPM progressive cut with a recognisable motif and breathing room between the drums.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.
A 130 BPM main-stage missile in key 10B that trades restraint for full-throated euphoria, precision-built to unite a festival horizon.
A rolling 125-BPM dispatch from the floor's centre, where lean minimal pressure meets peak-time stamina.
Warm, tasteful prog at 122 BPM that drifts across the floor but never quite finds a hook.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
Steady 122 BPM progressive grid with airy pads and a pensive 9B centre; a useful mid-set bridge that lifts without shouting.
Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.
Clean, mid-tempo prog house that trades speed for precision and slots neatly between heavier cuts.
Tasteful sound design meets late-night momentum in a downtempo cut that glitches without losing its soul.
A 133 bpm minor-key pressure chamber, sandblasted and precise, but missing a vocal centre to break the tension.
Warm, driving progressive house at 122 BPM that channels open-air euphoria without drowning in sentiment.
A slick bassline stride with a vocal loop that cuts clean and keeps the floor moving without fuss.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.
A tech-trance stride at 133 that trades subtlety for floor momentum and a direct, insistent hook.
A feverish Latin-house missile built for big tents, where that vocal hook sinks its teeth in and refuses to let go.
A 140bpm bassline roller with a vocal hook that circles back on itself, built for warm rooms rather than peak-time pressure.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A polished 128 BPM house cut with bright chords and a prominent vocal that offers a dependable, if unsurprising, mid-set lift.
A polished 133 BPM mainstage missile that trades underground grit for sky-high serotonin, built for peak-time sun and outstretched hands.
A utilitarian peak-time cut whose blunt energy favours seamless transitions over surprises.
Stadium-sized progressive warmth at 120 BPM, stitching minor-key longing to a high-energy groove made for sunlit floors.
A smooth 125 BPM melodic glide that fills the floor without ever reaching for the spotlight.
Elgardo’s rework threads a 125 BPM breakbeat through murky A-minor tides, swelling but never quite breaking.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
To my ears, this 133bpm 7A cut drapes a vocal over tight tech-trance grooves, better suited to afternoon warmth than midnight tension.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.
Brandy’s vocal rides a lean bassline groove at 128, turning familiar warmth into late-floor tension without overplaying the nostalgia.
A nagging vocal snippet rides a lean 128bpm groove, keeping the energy high and the arrangement spare enough for midday sun.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
Electro soul machined to absolute peak voltage; a 130-BPM masterclass that still turns every room into a pressure chamber.
A glossy vocal rides a tidy 120 BPM breakbeat, efficient and eager to please but low on friction.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
A polished 125 BPM progressive cut where a measured groove lets the vocal float without tipping into sentimentality.
A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.