The chart · Sun, 01 Nov 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 584 ranked · today's chart
House utterly dominates the charts this week, with Prospa claiming the top spot and a second collaborative entry at twelve. The narrative belongs to the cross-gener
The chart that day
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
A lean, 133-BPM minimal groove that keeps the floor moving without stealing the spotlight.
A slick bassline stride with a vocal loop that cuts clean and keeps the floor moving without fuss.
A 140bpm bassline roller with a vocal hook that circles back on itself, built for warm rooms rather than peak-time pressure.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
Taut vocal house at 125 BPM; the hook locks in without ever raising its voice.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
A warm, earthy 122 BPM progressive cut with a recognisable motif and breathing room between the drums.
Rubbery low-end and skittering percussion at 130; a 12B utility cut built for the long blend.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
Melodic lines in Db major spiral upward at 125 BPM, building a patient bridge between warm-up tension and the floor's fuller moments.
Sleek, vocal-led house at 130 with a topline that winds tight and a hook that lingers after last orders.
Taut, melancholic house at 128 bpm in B-flat minor, converting nine points of energy into steady floor motion rather than outright abandon.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.
Tasteful sound design meets late-night momentum in a downtempo cut that glitches without losing its soul.
Warm, tasteful prog at 122 BPM that drifts across the floor but never quite finds a hook.
Steady 122 BPM progressive grid with airy pads and a pensive 9B centre; a useful mid-set bridge that lifts without shouting.
A 130 BPM electro barrage delivered in 4A at full ten-out-of-ten voltage, channelling unmistakably underground pedigree into pure club pressure.
A nimble bassline roller with a cheeky garage lilt, built for sunny afternoons rather than midnight pressure.
A rolling 125-BPM dispatch from the floor's centre, where lean minimal pressure meets peak-time stamina.
Elgardo’s rework threads a 125 BPM breakbeat through murky A-minor tides, swelling but never quite breaking.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
A dependable 130 BPM utility with high energy but little identity; useful for keeping floors moving between records with more to say.
A 133 bpm minor-key pressure chamber, sandblasted and precise, but missing a vocal centre to break the tension.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.
Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.
Warm, driving progressive house at 122 BPM that channels open-air euphoria without drowning in sentiment.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
A polished 125-BPM sweep of C-major melodic pressure that fills the floor without ever stealing the headline slot.
A polished 128 BPM house cut with bright chords and a prominent vocal that offers a dependable, if unsurprising, mid-set lift.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
A tech-trance stride at 133 that trades subtlety for floor momentum and a direct, insistent hook.
To my ears, this 133bpm 7A cut drapes a vocal over tight tech-trance grooves, better suited to afternoon warmth than midnight tension.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A human voice threads through synthetic pressure at 125, finding space between trance uplift and melodic patience.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.
Stadium-sized progressive warmth at 120 BPM, stitching minor-key longing to a high-energy groove made for sunlit floors.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
A polished 133 BPM mainstage missile that trades underground grit for sky-high serotonin, built for peak-time sun and outstretched hands.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
Brandy’s vocal rides a lean bassline groove at 128, turning familiar warmth into late-floor tension without overplaying the nostalgia.
A nagging vocal snippet rides a lean 128bpm groove, keeping the energy high and the arrangement spare enough for midday sun.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
A glossy vocal rides a tidy 120 BPM breakbeat, efficient and eager to please but low on friction.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.
A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
Vocal lines thread through a 120 BPM frame with enough melodic lift to keep the floor engaged.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
A polished 130 BPM sprint through progressive breaks that feels urgent but slightly too mapped-out to surprise.