The chart · Sun, 15 Nov 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 639 ranked · today's chart
House owns the top of the charts today — James Brown and Elvis Guetta's "The Boss" leads a Defected-flavoured run, with Riton and Chromeo close behind and only Robbie Doherty and Obskür's techno at two breaking the grip. The story is heritage names going club-ready: Oakenfold revived at five, Snoop Dogg at nine. My taste says the crowd is playing it safe; "Gimme A Beat" deserves the top spot.
The chart that day
A 128 BPM house cut with a vocal hook that lands early and a clean, steady pulse; well made, uncluttered and easy to read on a floor.
A clipped vocal stab looped into rhythm over a dry 133 BPM kick — a working tool for the middle of a set, not the peak.
A bright C-major house cut at 130 — vocal hook forward, percussion clipped and dry, lifting the room without forcing it.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
A vocal house cut that keeps its cool at 125 — Clark's phrasing sits in the pocket while the low end does the walking.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A 122 BPM deep-house mover in A minor that keeps its energy high without shouting — all pressure and glide.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
Afro-house percussion over a dry, unbothered kick, with a vocal that thins rather than swells — brisk, unhurried, quietly persuasive.
A polished 125-BPM E-minor house cut that keeps the floor moving with a functional vocal loop and peak-time gloss.
A polished club cut at 130 with a vocal hook that knows exactly where to sit in the mix.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A steady, high-energy progressive groove at 128 BPM that keeps pressure constant without ever finding its own voice.
A 130 BPM tech-trance remix that keeps its head down and its hi-hats moving, built for the long stretch after the warm-up.
Vocal electro house at 128 that keeps its cool — a clipped bassline, a voice half-swallowed by the mix, and plenty of space left around it.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
Progressive house at a modest 120 BPM that finds its lift in layering rather than speed — patient, bright, and built for the long middle of a daytime set.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
Patient at 125, but the energy says otherwise — a vocal worn down to texture over F# minor, built for the hour when the room goes quiet and wide.
Patient melodic techno at 136: the kick holds still while the arpeggio climbs, and F minor does the emotional work.
A 120 BPM progressive house cut with a bright melodic hook and enough lift for the open-air hours.
Cascading arpeggios in B major, unhurried at 122 but thick with detail — melodic house that decorates a room without crowding it.
Vocal house that keeps its composure, riding a 125 BPM pulse with enough restraint to let the room breathe before the lift.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
Progressive house at 125 BPM with the energy pinned at ten — bright in 10B, but there's a shadow under the hook.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
I hear a 122 BPM progressive house cut in 9B that channels high energy into warm, organic grooves with a surprisingly grounded stride.
A 128 BPM dark disco vocal that trades on tension, not release — E-flat minor synth-pop for the locked-in hours.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
I’d drop this vocal cut at 130bpm when the floor needs a bright, major-key nudge without losing its stride.
A 125 BPM progressive house cut with a melodic hook that lingers, built for the long arc rather than the quick hit.
A shadowed vocal hook over a patient 125 BPM groove — progressive house that earns its melody rather than announcing it.
Progressive house with an unhurried kick and everything churning above it — F# minor melancholy, the vocal used as texture rather than hook.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
Tech-trance pressure at 133 BPM: clipped low end, a vocal smeared in the middle distance, and a 3A dark gleam that turns a set without forcing it.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
A vocal chant riding a low-slung F# minor tech-house groove — effective and functional, best saved for the moment the room stops thinking.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A clipped vocal hook circling over 136 BPM of clean, forward-driving tech trance — afternoon music, built wide rather than loud.
A patient kick, a busy top end, and a bowed minor-key figure that repeats until it becomes the hook.
Sleek progressive house holding its 122 BPM in a tight fist — F minor melancholy dressed for a wide-open room.
Razor-wire breaks at 128 BPM cut through the fog like a Tresor strobe, pure Detroit voltage wired straight to the floor.
Long-version hypnosis from deep house royalty; a 128-BPM masterclass in sustained, soulful tension.
A 130 BPM tech-trance cut in 8A that keeps its melody close and its kick closer, all tension and forward motion.
Sleek minimal techno that locks the floor into a 125-BPM hypnosis without ever raising its voice.
Skippy two-step at 136, sub-bass in E minor doing the talking — pressure held rather than released.
Tasteful sound design meets late-night momentum in a downtempo cut that glitches without losing its soul.
A 125 BPM progressive house cut that builds its room from tight percussion and a G-major glow, more heady than ecstatic.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
A sleek 128 BPM house roller that keeps the floor moving through the middle of the night without reaching for a hook.
Relentless 133bpm hypnosis in 4A: a rolling, peak-time weapon that locks the floor side to side.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
Lean, asymmetrical dubstep at 143 BPM that favours empty space and nervous momentum over predictable weight.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A taut tech-house roller with a melodic hook that sits neatly in the pocket at 125 BPM.
Taut 140bpm pressure sculpted with the precision you expect from Hessle Audio, primed for the deeper pockets of a club set.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
A 130 BPM bassline cut with a vocal hook and a bright D-flat major lift — buoyant, functional, and easy to place.
Tech trance with its fists unclenched — a warm, wistful C minor roller built for the grey hour rather than the peak.
A 122 BPM progressive house roller in C minor, all tight percussion and a bassline that keeps its counsel.
Dense, warm progressive house where the Latin lilt sits in the percussion rather than the vocal — unhurried but full.
Vocal hooks grip a rolling 120 BPM groove, conjuring a euphoric progressive house room that refuses to empty.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A rolling 125-BPM dispatch from the floor's centre, where lean minimal pressure meets peak-time stamina.
Sleek, rolling minimalism at 128 BPM engineered for locked-in, lights-down club hypnosis.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
A clean, tech-tinged progressive house cut at 125 BPM: firm kick, nudging bass, and a hook that lands early without overstaying.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.