The chart · Wed, 28 Oct 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 593 ranked · today's chart
The charts are locked in a four-four house stranglehold, with Prospa and Kettama leading a top ten awash with pumping kicks. The story is A-list crossovers—Solomun, Skepta and Dom Dolla, plus Snoop Dogg and HUGEL—muscling into club territory. I back the crowd on "Think of You" hitting number one, but Mau P's bassline cut "Just A Little Bit More" deserves far higher than fifth; the charts play it too safe with formulaic house when real low-end pressure is burning lower down.
The chart that day
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
A polished 125-BPM sweep of C-major melodic pressure that fills the floor without ever stealing the headline slot.
A tidy 130 BPM cut that threads a vocal loop through lean percussion, built for mixing rather than centre-stage spectacle.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
Vocal chops and a 133bpm stride make this a polished, if predictable, daytime floor-filler.
I hear a 122 BPM progressive house cut in 9B that channels high energy into warm, organic grooves with a surprisingly grounded stride.
A vocal-led progressive cut that trades subtlety for open-air urgency, riding a 122 BPM pulse straight into peak-time territory.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
Melodic lines in Db major spiral upward at 125 BPM, building a patient bridge between warm-up tension and the floor's fuller moments.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
Taut vocal house at 125 BPM; the hook locks in without ever raising its voice.
A vocal refrain rides disciplined 133-BPM drums, offering controlled energy and a minor-key ache that works the floor without showboating.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A hypnotic, 100-BPM ritual of global textures and shadowy minor-key weight for the late hours.
I would reach for this 125 BPM vocal loop in busier moments, though its polish offers few surprises.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
I'd play this immaculate 120 BPM deep-house cruise, though it keeps its shoes too clean for the underground room.
A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.
I’d air this at 122bpm where its Kompakt melodies hover, all minor-key atmosphere and tasteful, driven restraint.
A lysergic 130bpm electro juggernaut that melts the floor without sacrificing its leftfield edge.
Peak-time dub pressure soaked in amber warmth; a hypnotic 128 BPM cruiser that blurs sunset into sweat.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A vocal thread pulled tight across a lean 128 BPM grid, carving out room for daylight without losing its minor-key edge.
A glossy vocal draped over 125 BPM progressive mechanics, built for rooms where the lights stay low and the energy stays high.
A slick bassline stride with a vocal loop that cuts clean and keeps the floor moving without fuss.
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
4A hypnosis at 122 BPM, pushing high-energy progressive weight through a measured chassis.
A 140bpm bassline roller with a vocal hook that circles back on itself, built for warm rooms rather than peak-time pressure.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
Heritage disco bones resequenced at 125 BPM, but the missing vocal thread leaves the groove slightly underdressed.
Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A brisk 130 BPM cut in F sharp minor where the vocal glides over a modern bass-house chassis, tidy and properly engineered.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
To my ears, this 133bpm 7A cut drapes a vocal over tight tech-trance grooves, better suited to afternoon warmth than midnight tension.
A 146 BPM furnace of psychedelic pressure that turns any room into a sweat-drenched ritual.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
Melodic heft and club muscle collide at 122 BPM for a terrace anthem that refuses to quit.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
A bruising 146-BPM pilgrimage through A-minor darkness, stitching raw hypnosis and poetic dread into every bar.
Rubbery low-end and skittering percussion at 130; a 12B utility cut built for the long blend.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
A warm, driving 125bpm hypnosis that locks the after-hours room into leftfield deep house motion.
A 136 BPM peak-time bomb where a massive vocal hook hijacks the room.
A polished 128 BPM house cut with bright chords and a prominent vocal that offers a dependable, if unsurprising, mid-set lift.