The chart · Tue, 27 Oct 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 601 ranked · today's chart
The charts are locked in a house stranglehold, with Prospa, Kettama and Rohan Pinnock-Hamilton leading a top twenty almost entirely devoted to four-four kicks. The story is blockbuster cross-pollination, as Solomun, Skepta and Dom Dolla crash together on "DANGER DANGER" and Snoop Dogg rides with HUGEL. I back the crowd on "Think of You" at the summit, but Franky Rizardo's "Marido Dansa" at six is criminally low for a techno cut that fierce.
The chart that day
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A tidy 130 BPM cut that threads a vocal loop through lean percussion, built for mixing rather than centre-stage spectacle.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
A polished 125-BPM sweep of C-major melodic pressure that fills the floor without ever stealing the headline slot.
A brisk 130 BPM cut in F sharp minor where the vocal glides over a modern bass-house chassis, tidy and properly engineered.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
Vocal chops and a 133bpm stride make this a polished, if predictable, daytime floor-filler.
A vocal-led progressive cut that trades subtlety for open-air urgency, riding a 122 BPM pulse straight into peak-time territory.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
A brisk 133-BPM vocal house cut with a polished pulse and enough lift to keep the floor moving.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
A clean 130 BPM drive in F sharp major where the vocal does the heavy lifting over polished, familiar foundations.
I’d call it a polished 130-BPM cruise through familiar melodic house tropes that sparkles without ever quite catching fire.
Bright melodic hooks ride a 125 BPM chassis, packing daytime heat without overheating the room.
A vocal refrain rides disciplined 133-BPM drums, offering controlled energy and a minor-key ache that works the floor without showboating.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A 122-BPM E-minor drive that suspends a vocal refrain between melodic house gloss and deep techno heft.
A hypnotic, 100-BPM ritual of global textures and shadowy minor-key weight for the late hours.
I would reach for this 125 BPM vocal loop in busier moments, though its polish offers few surprises.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
A lean, 133-BPM minimal groove that keeps the floor moving without stealing the spotlight.
I'd play this immaculate 120 BPM deep-house cruise, though it keeps its shoes too clean for the underground room.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
Sona channels the energy into a taut, drum-led 122 BPM groove, but without a vocal anchor the arc feels slightly incomplete.
A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.
Vocal progressive at 122 bpm that favours polished momentum over risk, content to glide rather than push.
I’d air this at 122bpm where its Kompakt melodies hover, all minor-key atmosphere and tasteful, driven restraint.
A lysergic 130bpm electro juggernaut that melts the floor without sacrificing its leftfield edge.
A vocal thread pulled tight across a lean 128 BPM grid, carving out room for daylight without losing its minor-key edge.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
A glossy vocal draped over 125 BPM progressive mechanics, built for rooms where the lights stay low and the energy stays high.
A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.
A vocal hook sharp enough to cut glass, flung across a 125bpm melodic house chassis with relentless, room-filling energy.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
Melodic house at 125 bpm with a bright vocal hook that feels tailored for the floor’s friendlier hours, not the basement’s darker corners.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
Melodic lines in Db major spiral upward at 125 BPM, building a patient bridge between warm-up tension and the floor's fuller moments.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
Heritage disco bones resequenced at 125 BPM, but the missing vocal thread leaves the groove slightly underdressed.
Rides a 130 BPM wave of speed-garage nostalgia with enough horsepower to fill a daytime floor without rewriting the rave playbook.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
The vocal sits high in the mix at 125 BPM, pushing energy to 9 without ever unsettling the grid.
I reach for this when the set needs a melodic pivot that keeps the pace but lowers the stakes.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
A warm, driving 125bpm hypnosis that locks the after-hours room into leftfield deep house motion.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
A vocal bass loop locked into 130 BPM minimal pressure, purpose-built for sunlit floors and early-hour swagger.
A bruising 146-BPM pilgrimage through A-minor darkness, stitching raw hypnosis and poetic dread into every bar.
Peak-time dub pressure soaked in amber warmth; a hypnotic 128 BPM cruiser that blurs sunset into sweat.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.