The chart · Sat, 07 Nov 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 555 ranked · today's chart
House owns the chart's middle — Prospa and Kettama at two, Route 94 and Mason Collective at six, Cloonee and Prospa at sixteen — but it's Sapian's techno that takes the top, with Solomun, Skepta and Dom Dolla's DANGER DANGER the loudest crossover at four. My disagreement: Mau P's bassline at seven is the most interesting thing here, and it should be higher.
The chart that day
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A polished club cut at 130 with a vocal hook that knows exactly where to sit in the mix.
I’d drop this vocal cut at 130bpm when the floor needs a bright, major-key nudge without losing its stride.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
A steady, high-energy progressive groove at 128 BPM that keeps pressure constant without ever finding its own voice.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
A lean, melodic 125 BPM driver in 4A that keeps the floor moving without ever raising its voice.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
Solid, high-energy Toolroom tackle that drives the floor hard even if it lacks a truly memorable hook.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
A brisk 122 BPM progressive house cut with airy melody and minor-key shade that fills a set without claiming the centre.
A 128 BPM sugar-rush of vocal-led pressure that wears its heart on the kick drum, built for peak-time abandon and instant grins.
The groove ticks at 130 BPM, letting the vocal thread through a sparse frame on a floor where the energy already runs high.
Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
FJAAK sandblast the CLR blueprint into a 136 BPM juggernaut that trades subtlety for pure, unrelenting peak-time pressure.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
I’d dial this to its absolute limit in the after-hours, letting that melodic electro snap tear through a room already at breaking point.
A devastating 130bpm warehouse weapon where extreme energy meets utilitarian focus, leaving little room for surprise.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
Heavy voltage deep house slowed to a hypnotic 107, built for the shadows of late-night programming.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.
Melodic house at a firm 125, its high energy polished into glassy E-flat minor tension rather than outright release.
Razor-wire breaks at 128 BPM cut through the fog like a Tresor strobe, pure Detroit voltage wired straight to the floor.
Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.
At 171 BPM in key 6A, the vocal floats over polite percussion that feels more afternoon terrace than after-hours pressure.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
At 122 bpm in 4A, this is the sound of 4 a.m. gratitude: melodic, weightless, and impossibly bittersweet.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
Amotik funnels Berghain pedigree into a 136-BPM gravity well of locked, late-night hypnosis.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
Taut 128 BPM drums wrapped in melodic warmth, proof that groove and musicality can share the same grid.
Sleek, rolling minimalism at 128 BPM engineered for locked-in, lights-down club hypnosis.
I’d reach for this piston-locked 125 BPM machine-funk rebuild when the room needs Detroit heat without bludgeoning the floor.
Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
A sleek 122 BPM glide in A minor with enough refined drive to slip neatly between heavier cuts.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
Sleek minimal techno that locks the floor into a 125-BPM hypnosis without ever raising its voice.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.