The chart · Fri, 06 Nov 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 555 ranked · today's chart
The charts are ruled by straight-up house music, with Prospa claiming two top-ten spots and rolling basslines crowding out the techno outliers. The story is heavyweight collisions—Solomun, Skepta and Dom Dolla at two, Snoop Dogg at seven—proving the charts still love a famous face behind the decks. I back Prospa's "Think of You" at the summit, yet Mau P's bassline entry at four feels overinflated when Sapian's tougher techno deserves more love.
The chart that day
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
A polished club cut at 130 with a vocal hook that knows exactly where to sit in the mix.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
I’d drop this vocal cut at 130bpm when the floor needs a bright, major-key nudge without losing its stride.
A polished 125-BPM E-minor house cut that keeps the floor moving with a functional vocal loop and peak-time gloss.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
A steady, high-energy progressive groove at 128 BPM that keeps pressure constant without ever finding its own voice.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
Solid, high-energy Toolroom tackle that drives the floor hard even if it lacks a truly memorable hook.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
A 128 BPM sugar-rush of vocal-led pressure that wears its heart on the kick drum, built for peak-time abandon and instant grins.
I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.
Peak-time energy meets Balearic melancholy at 125 BPM, built for open-air floors where everything fades but the groove.
Sleek, rolling minimalism at 128 BPM engineered for locked-in, lights-down club hypnosis.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
FJAAK sandblast the CLR blueprint into a 136 BPM juggernaut that trades subtlety for pure, unrelenting peak-time pressure.
Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.
A 125 BPM breaks cut with a vocal fragment in the 11A key that nestles between heavier records, keeping tension high without stealing the scene.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
Amotik funnels Berghain pedigree into a 136-BPM gravity well of locked, late-night hypnosis.
Nine-volt melancholy at 125 bpm; a hypnotic, emotional after-hours weapon that turns the 3A key into pure electricity.
I’d dial this to its absolute limit in the after-hours, letting that melodic electro snap tear through a room already at breaking point.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.
A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
The engines run hot at nine-tenths intensity, yet without a vocal spine the whole procession drifts past in monochrome.
Heavy voltage deep house slowed to a hypnotic 107, built for the shadows of late-night programming.
A lean, melodic 125 BPM driver in 4A that keeps the floor moving without ever raising its voice.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.
A dependable 130 BPM utility with high energy but little identity; useful for keeping floors moving between records with more to say.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
A devastating 130bpm warehouse weapon where extreme energy meets utilitarian focus, leaving little room for surprise.
A 146 BPM main-room assault in 6A that weaponises raw hypnosis for the bleary-eyed 4am faithful.
Sleek minimal techno that locks the floor into a 125-BPM hypnosis without ever raising its voice.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
A polished 130 BPM sprint through progressive breaks that feels urgent but slightly too mapped-out to surprise.
A sleek 122 BPM glide in A minor with enough refined drive to slip neatly between heavier cuts.
The groove ticks at 130 BPM, letting the vocal thread through a sparse frame on a floor where the energy already runs high.
A 130 BPM main-stage missile in key 10B that trades restraint for full-throated euphoria, precision-built to unite a festival horizon.