The chart · Thu, 05 Nov 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 563 ranked · today's chart
House music owns the charts this week, claiming sixteen of the top twenty spots, with Prospa, Kettama and Rohan Pinnock-Hamilton’s “Think of You” leading a charge that feels grounded in classic grooves rather than fleeting trends. The real story is the sheer dominance of collaborative records—Solomun, Skepta and Dom Dolla at two, Chromeo and Chris Lorenzo at three, Sybil with Cloonee and Prospa at eight—suggesting the charts reward familiar names stacking up rather than lone-wolf risks. I am fully with the crowd on the Prospa cut; it is the only entry here that feels timeless, whereas the star-stacked “DANGER DANGER” at number two feels more like a marketing deck than a dance-floor weapon.
The chart that day
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
A polished club cut at 130 with a vocal hook that knows exactly where to sit in the mix.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
I’d drop this vocal cut at 130bpm when the floor needs a bright, major-key nudge without losing its stride.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
A steady, high-energy progressive groove at 128 BPM that keeps pressure constant without ever finding its own voice.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
A 133bpm Drumcode overhaul that weaponises the original anthem into a mainstage juggernaut.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
A 128 BPM sugar-rush of vocal-led pressure that wears its heart on the kick drum, built for peak-time abandon and instant grins.
A lean, 133-BPM minimal groove that keeps the floor moving without stealing the spotlight.
Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
Raw Klasse Wrecks electro stripped to sparking wires and sent hurtling at a hundred-and-thirty.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
Sleek, rolling minimalism at 128 BPM engineered for locked-in, lights-down club hypnosis.
Percussive drive and progressive framework collide at 122 BPM, making a fierce bridge between vocal records.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
FJAAK sandblast the CLR blueprint into a 136 BPM juggernaut that trades subtlety for pure, unrelenting peak-time pressure.
Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
I’d slot this sun-drenched vocal hook at 122 BPM straight into a sunset set, bridging polished mainstage uplift with poolside melodic ease.
A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
Nine-volt melancholy at 125 bpm; a hypnotic, emotional after-hours weapon that turns the 3A key into pure electricity.
I’d dial this to its absolute limit in the after-hours, letting that melodic electro snap tear through a room already at breaking point.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.
Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A widescreen 128-BPM odyssey that weaponises 11A melancholy into peak-time progressive propulsion.
Ibiza-ready progressive house at 122BPM in E minor: melodic, driving, and instrumentally solid without needing a vocal.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
A peak-time missile built on a 125 BPM chassis that demands hands-up compliance and never lets the floor exhale.
A polished 130 BPM sprint through progressive breaks that feels urgent but slightly too mapped-out to surprise.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
The engines run hot at nine-tenths intensity, yet without a vocal spine the whole procession drifts past in monochrome.
I’d use this 125 BPM Db minor cut as a bridge between heavier records; it keeps the floor moving without asking for the spotlight.
A 146 BPM main-room assault in 6A that weaponises raw hypnosis for the bleary-eyed 4am faithful.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
A slow-burning, high-voltage deep house cut that drags the dancefloor into a hypnotic 113-BPM twilight.
A narcotic half-speed exhale that turns the floor into a shoulder-rolling haze, too slow to peak but perfect for golden-hour comedowns.
A lean, melodic 125 BPM driver in 4A that keeps the floor moving without ever raising its voice.
Heavy voltage deep house slowed to a hypnotic 107, built for the shadows of late-night programming.
A dependable 130 BPM utility with high energy but little identity; useful for keeping floors moving between records with more to say.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
A 130 BPM main-stage missile in key 10B that trades restraint for full-throated euphoria, precision-built to unite a festival horizon.
Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.
A rolling 125-BPM dispatch from the floor's centre, where lean minimal pressure meets peak-time stamina.
A brisk 122 BPM stride in D major that channels its high energy into a bright, instrumental pulse suited for open-air afternoons.
Sleek, vocal-led house at 130 with a topline that winds tight and a hook that lingers after last orders.
Swung speed-garage at 128 with a vocal that sits clean and bright in the mix, bridging nostalgia and floor urgency.
Bedford’s vocal still soars, yet the 146 BPM pulse now breathes through ambient fog, trading club euphoria for patient, after-hours reverie.