The chart · Fri, 30 Oct 2026
What ranked that day — the Ninja's blend, archived as it stood.
top 100 of 590 ranked · today's chart
House owns the charts outright, with heavyweight crossovers from Solomun, Skepta and Dom Dolla, Snoop Dogg and HUGEL, and a reworked Paul Oakenfold anthem grabbing the headlines. The narrative is hip-hop and pop elite colonising the dancefloor, yet Franky Rizardo’s techno and ODF’s speed garage hold space for the underground. I back the crowd on Prospa, Kettama and Rohan Pinnock-Hamilton at number one, but Mau P’s bassline weapon ought to be higher than fifth.
The chart that day
Tight, hook-driven house at 133 BPM: the vocal threads a needle between peak-time pressure and something more refined.
A polished 130 BPM crossover weapon where a monster vocal hook meets peak-time house pressure.
A 130 BPM A-minor juggernaut where a razor-wire vocal hook rides a thundering electro-house groove built for peak-time surrender.
A brisk 133 BPM house cut where a bright vocal loop and minor-key tension fill the floor without leaving much mystery.
A main-stage missile dressed in deep-house silk, cruising at 130 with enough energy to torch the floor.
I’d let Grace’s vocal ride this lean 133-BPM techno grid; functional peak-time weight with a melancholic undercurrent.
Snoop’s vocal rides a 128 BPM grid efficiently enough, though the production never develops a vocabulary of its own.
Unapologetic daytime elation at 133 BPM: a vocal hook sharp enough to cut the biggest rig.
A polished speed garage cut where the vocal hook rides a brisk 130 BPM shuffle, bright and functional but rarely surprising.
A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.
Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.
A 128-BPM tech-house grid that locks the floor with dry, incremental tension and no unnecessary flourishes.
The vocal sits crisp and unhurried over a 130 BPM chassis, trading peak-time force for a leaner, hook-driven momentum.
Warm, tasteful prog at 122 BPM that drifts across the floor but never quite finds a hook.
Melancholy synths and a 125-bpm chassis steer this minor-key cut into the hazy zone between indie longing and club gravity.
I hear a 122 BPM progressive house cut in 9B that channels high energy into warm, organic grooves with a surprisingly grounded stride.
A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.
A 128 BPM charge in E minor that trades subtlety for steady forward motion; I’d deploy it when the room already knows the score.
A breezy, high-energy vocal house cut that beams with 130 BPM optimism and zero pretension.
A high-BPM crossover that trades psychedelic depth for vocal immediacy and festival polish.
I’d call this a lean, 133-BPM UK garage cut that keeps its pressure precise without cluttering the mix.
Speed garage chassis welded to a tech-house engine, cruising at 133 BPM with enough daylight polish to blur mainstream and basement.
A soaring vocal rides a relentless 133 BPM groove, turning heartbreak into peak-time fuel without losing its daytime charm.
A slick bassline stride with a vocal loop that cuts clean and keeps the floor moving without fuss.
I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.
A 140bpm bassline roller with a vocal hook that circles back on itself, built for warm rooms rather than peak-time pressure.
A brisk 133 BPM bridge between rolling house utility and peak-time trance tension, built for accessible club momentum.
A 122 BPM instruction to move: polished, familiar, and difficult to fault, yet offering little room for surprise.
A polished 125-BPM sweep of C-major melodic pressure that fills the floor without ever stealing the headline slot.
F minor progressive house at 125 BPM, balancing peak energy with a melody that cuts through the density.
A 130 BPM electro barrage delivered in 4A at full ten-out-of-ten voltage, channelling unmistakably underground pedigree into pure club pressure.
Relentless 128-bpm house with a vocal hook that digs in deep—tension dialled to nine and polished for the main room.
Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.
Vocal chops and a 133bpm stride make this a polished, if predictable, daytime floor-filler.
Peak-time dub pressure soaked in amber warmth; a hypnotic 128 BPM cruiser that blurs sunset into sweat.
Rubbery low-end and skittering percussion at 130; a 12B utility cut built for the long blend.
Rosalia’s vocal gets fed through Gesaffelstein’s industrial grinder, emerging as a sleek, 122-bpm war machine built for peak-time pressure.
A rolling 125-BPM dispatch from the floor's centre, where lean minimal pressure meets peak-time stamina.
Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.
A tidy 130 BPM cut that threads a vocal loop through lean percussion, built for mixing rather than centre-stage spectacle.
4A hypnosis at 122 BPM, pushing high-energy progressive weight through a measured chassis.
Melodic lines in Db major spiral upward at 125 BPM, building a patient bridge between warm-up tension and the floor's fuller moments.
A hypnotic 115-BPM slow-burner that trades velocity for high-voltage texture and after-hours shadow.
A polished 130 BPM sprint through progressive breaks that feels urgent but slightly too mapped-out to surprise.
A vocal refrain rides disciplined 133-BPM drums, offering controlled energy and a minor-key ache that works the floor without showboating.
Melodic heft and club muscle collide at 122 BPM for a terrace anthem that refuses to quit.
I’d call this a driving, melodic weapon at one-two-five that burns with peak-time urgency and an Ibiza-sized hook.
A vocal-led progressive cut that trades subtlety for open-air urgency, riding a 122 BPM pulse straight into peak-time territory.
That vocal hook sinks into a driving 128-BPM groove, turning any tent into a daytime communion.
Funk-slanted house at 128 BPM with enough juice to keep a warm floor moving without burning it out.
A smouldering 122-BPM ritual in 4A that trades peak-time bombast for hypnotic, after-hours alchemy.
A slow, seething late-night burner that trades standard urgency for a deeper, organic hypnosis.
Taut vocal house at 125 BPM; the hook locks in without ever raising its voice.
To my ears, this 133bpm 7A cut drapes a vocal over tight tech-trance grooves, better suited to afternoon warmth than midnight tension.
Organic downtempo that murmurs rather than ignites, best served when the floor is thinning and the lights come up.
A 128 BPM chant rides a clean Diynamic groove, its melodic frame keeping peak energy just the right side of camp.
I’d slam this 125 BPM bruiser at peak time; ten-out-of-ten energy meets deep minimal discipline to turn the floor into a gleaming sweatbox.
A nimble 120 BPM nu-disco cut where minor-key synths glide over a refined, driving groove suited to peak-time pivots.
A polished 128 BPM house cut with bright chords and a prominent vocal that offers a dependable, if unsurprising, mid-set lift.
Tasteful sound design meets late-night momentum in a downtempo cut that glitches without losing its soul.
Polished breaks at 128 BPM carry SOARR’s vocals skyward, though the architecture feels comfortably familiar rather than fearless.
Sleek, vocal-led house at 130 with a topline that winds tight and a hook that lingers after last orders.
Melodic pressure at 128 BPM, threading airy synth lines through a steady, floor-facing groove.
High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.
Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.
A polished 133 BPM mainstage missile that trades underground grit for sky-high serotonin, built for peak-time sun and outstretched hands.
A relentless 128 BPM electro charge that turns the club into a pressure cooker of raw, hooky voltage.
A lean, sinewy fusion of electro pressure and garage swing that hits the floor with intent.
A peak-time, crowd-pleasing remix that threads a familiar riff through high-pressure tech trance mechanics.
I hear a vocal-led Afro-house groove at 122bpm that sacrifices depth for immediate floor engagement, best placed mid-set when the room needs guidance.
Stadium-sized progressive warmth at 120 BPM, stitching minor-key longing to a high-energy groove made for sunlit floors.
Warm, driving progressive house at 122 BPM that channels open-air euphoria without drowning in sentiment.
I’d ride this bruised minor-key melody straight into peak-time, no hesitation.
A warm, earthy 122 BPM progressive cut with a recognisable motif and breathing room between the drums.
Warm Ab minor chords carry a drifting vocal across a 125 BPM grid, building an open-air groove that feels effortless.
This is what happens when a vocal hook refuses to behave: rolling tech house suddenly acquires teeth and a sense of occasion.
A warm, driving 125bpm hypnosis that locks the after-hours room into leftfield deep house motion.
A 128 BPM peak-time battering ram with a vocal hook big enough to drag first-timers straight onto the floor.
A bruising 143-BPM missile that channels raw electro torque into pure, unrelenting dancefloor engine grease.
A dependable 130 BPM utility with high energy but little identity; useful for keeping floors moving between records with more to say.