At 125 BPM in 8A, 'Regret Counter' doesn't sit still: the kick is firm but the percussion keeps slipping sideways, all clipped ticks and half-lit fills. The energy reads 9, yet it's a controlled heat rather than a blare; the ambience smears around the edges and makes the club feel like a room with the lights turned down and the air turned blue.
I'd use it as a hinge, not a peak — after something straighter, before the set gets strange. Its oddball charm is in the restraint: melodic shadows, a bassline that nudges rather than shoves, and enough empty space for a dancefloor to lean in. On Public Possession, it feels like a private joke told at the right volume.