At 136 BPM the kick doesn't rush; it applies pressure. The groove is built from tight, dry percussion and a low-end that sits just under the mix, so the track feels like it's breathing through a filter rather than hitting you over the head. In 3B, the tonal centre is bright but muted, and the energy reading of ten is earned by accumulation, not by a drop.
I'd place it mid-set, after the room has settled and before anyone expects a turn. Its hypnosis is patient: small shifts in texture, a reverb tail that lingers a beat too long, a sense of depth without clutter. Raw and deep, with enough identity to keep the floor locked without shouting for attention.