Not As I

At 103 BPM, this cut refuses to rush, yet its energy level of 9 hits with the heft of peak-time material I’d usually associate with far faster tempos. I hear distinctive, meticulous production in every layer—each texture feels considered, every percussive tap landing with weighted purpose in the bright, open key of 2B.

I’d reach for it in those bleary hours when the floor still pulses but demands room to breathe, slotting neatly into late-night organic or leftfield programming where dancers sway rather than sprint. FitzGerald constructs an intimate, pressurised atmosphere that keeps me locked in its grip without ever demanding a raised heart rate.