The drums lock in at 140 with a flat, urgent pressure that the energy rating suggests, but Steffi threads the mix with enough acoustic detail to stop the whole thing from turning purely metallic. It is a rigid, lean machine, and the A-minor key keeps the tone cool and slightly withdrawn, as if the melody is happening one room over.
That restraint is what makes it useful in the small hours: instead of flattening the room, the track opens up a narrower corridor where the percussion does the driving and the atmospherics provide the blur. I would slot it after something busier, letting its high BPM act as a sustained pulse rather than a crescendo, keeping the floor locked without raising the temperature further.