Lucy

Locked at 122 BPM in 12A, this Roman IV cut is a deep house missile with an energy profile that refuses to dip below maximum intensity. I hear the tempo anchoring a relentless, locked-in groove, yet that leftfield pedigree means the rhythm keeps you guessing—twisting familiar deep-house contours into something idiosyncratic without ever losing the floor’s attention.

In the booth, I would use it as a bridge between introspective warm-up territory and outright peak-time propulsion. That minor-key 12A colouring gives it a nocturnal, slightly rogue edge, and on Running Back it feels like a definitive statement of underground taste—singular, driven, and impossible to mistake for Flugel’s voice.