Dub / ninja
discoveries

Sun, 11 Oct 2026

25 added to rotation · every day's dig

The Ninja on the day's dig

Today's haul is ruled by steady house tempos, with progressive and techno textures threading through the margins. Cloonee guests on multiple cuts including Galo's "Back Of My Mind" and Joseph Capriati's "It's Time", while Zoo Brazil's "What You Gonna Do" leads the charge at 8.1. From deep house to minimal techno, the mood is unapologetically club-ready.

25 added to rotation

I keep returning to how the voice rides this 118bpm groove, locking the floor into a minor-key sway that stays deceptively easy.

Taut, hook-driven deep house at 125 with a vocal that sits inside the groove instead of shouting over it.

A lean, urgent 128 BPM stride in B flat minor that fills a room without cluttering it, useful for maintaining altitude between sharper set pieces.

Taut percussion and a minor-key sway built for the gaps between weightier cuts.

A 125 BPM house cut in 4A that moves with taut mechanical urgency and a locked, forward lean.

A 125 BPM loop locked in 4B at constant ten, trading dynamic range for steady, functional peak-time pressure.

Polished four-four at 130; a faceless, efficient engine that keeps the floor moving.

I’d call this a bright, locomotive vocal cut at 122 BPM that bridges deeper floors into charged melodic territory without breaking stride.

A 125bpm churn of funky bass and clipped percussion that keeps the floor locked without shouting for attention.

I’d use this 125 BPM Db minor cut as a bridge between heavier records; it keeps the floor moving without asking for the spotlight.

A brisk 122 BPM hustle whose refrain circles without fully locking in, keeping the floor moving but never quite hijacking the night.

Tight 128 BPM percussion and a 12A vocal hook that keep the floor in steady, frictionless motion.

A brisk 130 BPM bassline loop whose nagging vocal hook holds the room without ever quite transcending its own utility.

A lean 133bpm roller in Db minor that slots neatly between vocal peaks without losing its own pulse.

Haha6.8

A 128 BPM utility cut in 11A that trades melody for steady, functional pressure.

Taut minimal techno at 125 with a pressing pulse that fills the room without leaving fingerprints.

I use this taut 125-BPM 8A driver as lean connective tissue between heavier peaks.

A tidy, mid-set progressive cut whose melodic hook leads the way while the vocal remains understated.

I hear a 122 BPM progressive house cut in 9B that channels high energy into warm, organic grooves with a surprisingly grounded stride.

Burn6.8

A slow-burning, high-voltage groove that trades speed for weight, locking the floor in C minor at a pace that favours momentum over urgency.

A vocal-led cut that threads melancholy through a tight 128 BPM grid, built for the middle of a locked-in room.

At 133 BPM in 7A, a centred vocal steers a disciplined groove that bridges harder cuts without overreaching.

A fluorescent 133 BPM sprint in 7B that lands its hook cleanly, then has nowhere left to go.

A 130-BPM F-sharp push with a taut, rolling groove that knows exactly which room it wants to fill.