18 added to rotation
A slow-burning ember of 105 BPM warmth that smoulders long after the club lights come up.
Peak-time energy meets Balearic melancholy at 125 BPM, built for open-air floors where everything fades but the groove.
Ali Love’s vocal glides over a lean 125-bpm groove, bridging daytime peak-time with credible deep-house restraint.
I’d let this 128 BPM main-stage missile fly at golden hour, where its A-major sheen and peak-time vocal do all the heavy lifting.
I hear a sleek, sky-scraping progressive cut trading risk for reliable peak-time uplift, built for main-stage hands and 128-BPM momentum.
A sunlit 122 BPM roller that drapes approachable vocals over disciplined deep techno pressure.
A gleaming 122-bpm terrace missile dressed in linen, built to convert afternoon light into communal serotonin.
Warm dub-house pressure at 125 BPM: lean, basement-ready, and gloriously free of vocal-house clichés.
A towering, emotive cut that trades brute force for hypnotic, peak-time melancholy.
I'd wager this glossy, vocal-led tech-house number deploys its hook for daytime floors without sacrificing club weight.
A sleek, peak-time vocal house cut built for big rooms and raised hands, riding a 128 BPM pulse with undeniable Defected polish.
Relentless G minor drive engineered for peak-time floors and unapologetic velocity.
A slow-burning, high-tension groove that wrings peak-time intensity out of a deceptively modest tempo, perfect for bleary-eyed melodic surrender.
A 125 BPM deep-techno cut that weaponises its vocal hook into peak-time heft you can still play in daylight.
A maximal yet utilitarian groove machine built for midday floors where the bassline does the heavy lifting.
A glossy 130bpm vocal house cut that weaponises its hooks for peak-time abandon while keeping one foot on the daytime terrace.
An urgent 143-BPM collision of emotive vocals and techno pressure that demands a dark room and a heavy soundsystem.