13 added to rotation
A tidy 120 BPM bridge tool with enough Afro-tinged momentum to keep the floor breathing between peak-time assaults.
I'd call this a polished, driving prog-house cut with enough daytime voltage to command the floor without scorching it.
Atmospheric house with a fierce pulse, remastered for peak-time floors without losing its deep, melodic soul.
Anthemic melodic house that turns 125 BPM efficiency into a widescreen, peak-time rush.
G minor euphoria at 125: a sky-scraping vocal progressive weapon that marries peak-time energy to Ibiza haze.
Melodic tension woven at 125 BPM, primed for sun-drenched floors where feeling overrides frenzy.
Super Flu reshape Clark's voice into a propulsive, hook-laden missile aimed squarely at golden-hour peak time.
A sleek 128 BPM roller that weaponises a recognisable vocal into peak-time ammunition, built for main-room pressure.
Instrumental extended muscle at 122 BPM; a credible, shadowy progressive house cut that bides its time before the lights go down.
Kettama flips Real Lies into a 133 BPM bassline anthem that bridges rave nostalgia and daytime radio hunger without losing its edge.
A 130-BPM speed-garage juggernaut that bruises the subs, though its absent vocal hook keeps it just shy of crossover appeal.
Higher Ground delivers another peak-time bullet at 125 BPM, all gleaming progressive pressure and main-stage adrenaline.