Low

At 120 the pulse is patient, but the energy reading sits up at nine — that gap is the whole trick here. Everything above the kick is doing the lifting: wide pads, a lead that keeps leaning upward, a top end that stays bright without ever getting shrill. In A minor it never quite resolves, which keeps the lift feeling like a question rather than an answer.

That makes it a transitional record for me, not a peak-time one. It slots into the hour where a room is still deciding — after the deeper stuff, before anything with teeth. The arrangement leaves plenty of air for a long blend, and the melodic hook is plain enough to carry across a big room without shouting. Useful, well behaved, and a touch safe.