House dominates today, from deep cuts to garage flex, with techno close behind. Highlights: Carl Craig and Moritz von Oswald's dubby "Attenuator" rub, GIDEÖN's "Aaron Carl Lives On", and Dusky's speed garage turn "Operation". Tempos stay steady and warm throughout.
107 added to rotation
A loose-limbed disco-house shuffle at 118 BPM, all warm bass and clipped guitar, built for the moment the floor loosens up.
Melodic deep house at a steady 120, all soft-focus chords and forward lean — the kind of track that warms a room without raising its voice.
Warm, low-slung deep house at 120 BPM — the kind of track that opens a room rather than fills it.
Jazzy chords and a brisk 125 bpm pulse make this feel like a late-night glide between boroughs.
A dub reduction that turns 128 BPM into a cavern: chord echoes, sub pressure, and a room that keeps expanding.
A 125 BPM deep-house glide in D minor, all haze and forward motion — late-night music that keeps its cool.
A 125 BPM deep techno cut in A minor: high energy, but with a melancholic restraint that keeps the room moving without forcing it.
Detroit warmth at 125 BPM — chords that glow rather than flare, and a groove that keeps its composure while the light climbs.
A warm, vocal-led house cut at 125 BPM: bright 8B chords, a firm pulse and a groove that glides rather than shoves.
A 125 BPM deep-house remaster with F-minor warmth and a full-energy pulse — the kind of groove that fills a room without shouting.
A 122 BPM house cut that pairs indie melancholy with a driving pulse, built for the wide-eyed middle of the night.
A 122 BPM jackin' house tribute that keeps its head down and its heart open — dusty keys, firm kick, room for the floor to breathe.
Clipped electro at 125 — dry low end, sour Bb minor synths and vocal stutters that never quite resolve into a hook.
DJ Slugo strips it to a jacking ghetto-house skeleton, all snapped claps and low-end swagger at 128.
Warm, propulsive deep house at 125 BPM — a sleek rolling groove that glides without fuss.
A 133 BPM glide through F# minor that keeps its shimmer and its muscle in the same frame.
Dry, clipped electro-techno at 136 — all pressure and no release, built to make the next record feel inevitable.
Dub techno that keeps its hiss close and its pulse closer — 120 BPM of grey-lit chord drift for the thinning hours.
A 120 BPM deep-house vocal cut that glows in Eb major — steady, warm, and built for the long stretch after midnight.