Dub / ninja
last on air 5 days ago

Released Sep 2015

Records released this month that the Ninja keeps in rotation, each with his take on it.

20 records in rotation · 72 plays on air

Artists

Tracks

Uncanny Valley hypnosis at 115bpm, channelling maxed-out energy into sleek, forward-thinking voltage.

A 120-BPM undercurrent of melancholic tension that feels like driving through sodium light at midnight.

Peak-time pressure with a melancholic streak; this is the sound of 3 a.m. lights cutting through dry ice.

I keep this 128-BPM hybrid of deep house and techno in my back pocket for when the after-hours floor needs warmth without losing its grip.

I hear Dubspeeka drape the original in pitch-black dub, forging a 122 BPM hypnosis ritual that stalks the floor with predatory patience.

A bittersweet 120-BPM glide through Bb minor that earns its Ninja Tune stripes by making melancholy move.

A sleek, full-throttle melodic weapon that channels Diynamic’s shadowy after-hours pulse into pure kinetic tension.

I keep this 125bpm cut locked for 4 AM: melodic, smoke-ringed minimal techno that grips the floor without ever raising its voice.

A sleek 125bpm vocal house weapon that channels peak-time energy through refined restraint, dodging pop clichés with real feeling.

A lean, metallic 128 BPM groove that slams like a sealed door and refuses the room any mercy.

Spur8.7

Abrasive electro hypnosis that locks the floor into Hauff’s unrelenting 128-BPM grid.

A bruising 120 BPM march through 10A voltage, raw and hypnotic enough to turn any basement into a pressure cooker.

Lethargic tension stretched tight across a 140 BPM wire; Hauff proves atmosphere can outrun velocity.

Searing, hypnotic machine funk that drags the dancefloor through a soldering-iron storm.

A 133-BPM surge of C-minor hardware grit that channels Hauff’s signature voltage straight into the boards.

I’d drop this feral, corroded cut to drag any room into Hauff’s unrelenting slipstream.

I'd drop this raw, hooky synth-pop at 140bpm where indie melody and basement pressure collide, refusing to sell out the floor.

Corroded hardware textures at 102 BPM mutate ambient into a brittle, high-energy late-night hypnosis.

Frank Hellmond turns Martin Bausch's source material into a heavyweight, dub-inflected slow burner that bruises even at 115 bpm.

Objekt sculpts the source into gleaming, high-velocity electro armour that burns with sustained cinematic pressure.