At 122 the groove sits in that unhurried house pocket where a vocal can do the work — no rush, no drop-bait, just a steady kick and a bassline that leans Latin without ever breaking stride. The key of 2B keeps everything bright and slightly sharp-edged, so the synth stabs read clean rather than warm.
Energy is pinned at the top of the meter, and you can hear it: shakers, congas, a stack of voices crowding the mid-range. That density is the record's character and its limit — it fills a daytime room instantly, but there's little shadow to move into. I'd slot it early, where the light is still up.