At 125 BPM this moves with a straight-backed house gait, the kick carrying most of the weight while the vocal hook does the light work. In 10B the harmonic centre stays buoyant, so the playful topline never feels stranded; it sits in the pocket rather than pushing at the ceiling.
With energy at 9, it belongs in the brighter, more forward stretch of a set, after the room has found its feet. The texture is clean and springy, the sort of groove that opens a room up without crowding it. I'd use it as a lift between heavier passages, where its vocal handle can do the talking and the rhythm keeps things moving.