House dominates today's thread, with progressive cuts from Xinobi, Adana Twins and Redfreya's Flashpoint and Tim Green's Furnace Creek sitting alongside deeper outings from Max Dean and Per Hammar's Ontario. Tempos stay steady and driving throughout, peaking on Higher State and Scott Forshaw's tech trance alarm Sound The Alarm.
21 added to rotation
A 122 BPM progressive house cut with a vocal that cuts through the haze and a high-energy lift that never tips into bluster.
A clipped, C-minor progressive roller at 125 BPM that builds pressure through texture and holds its tension without shouting.
Tech trance at 125 BPM in C minor: the energy is high, but it's spent on tension and forward motion rather than a cheap lift.
A lean 128 BPM deep-techno roller in F minor — clipped percussion, dry texture, and the low end doing most of the talking.
A bright, clipped bassline at 128 BPM, built for the well-lit part of the night — tidy, forward motion with a clean melodic line.
Dry percussion, a bassline that slides under instead of landing — pressure held rather than released.
A warm, melodic house cut that rolls at 128 BPM with a wistful G-minor hook — built for the long afternoon arc, not the peak-time flare.
A 128 BPM tech-house roller in G minor that does its work cleanly and doesn't ask for much in return.
A patient 122 BPM groove with a G minor vocal hook that keeps its cool while the energy climbs — daytime house with a shadow in it.
A rolling Afro-house pulse at 122 BPM, all warm subs and clipped percussion — functional, but with a sly melodic lift in F major.
A bright, vocal-led house cut at 125 BPM that lifts the room without overplaying its hand.
A bright, vocal-led house cut at 125 BPM: playful hook, firm kick, and enough lift for the room to loosen without tipping over.
At 125 BPM in F# major, this house cut keeps a clean pulse and a warm melodic lift — daytime music with a firm, unshowy hand.
Warm, uncomplicated Afro-house at 122 — a bridge record rather than a destination, and better for knowing it.
Warm progressive house that builds its room slowly — friction under the pads, glow on top, tuned for long afternoons.
Patient at 122 but pegged at full energy — melodic progressive house that glows rather than grabs.
A vocal hook held high over a bright, propulsive groove — polished house that knows precisely where it's going.
A jackin' house groove with a shadowed C# minor tint and enough swing to keep the floor moving without fuss.
Monkman keeps the kick patient and lets E minor do the aching — warm, unhurried melodic house built for the middle of the night.