Turn Me Up

Isaac Carter and Biyi pitch this squarely at the main floor: a 128 BPM chassis with a vocal riding the crest rather than hiding in the mix. The energy registers at a near-maximum 9, so every bar pushes towards release, the deep house groove thickening around that central hook without letting tension dip.

In the booth, it sits at the peak-time pivot where the room wants direction, not decoration. The 4B key keeps the harmonic lift bright and open, making it an easy blend into broader house narratives, while that vocal-led structure ensures hands stay raised. Functional, yes, but the hook gives it enough personality to earn repeat rotation.